Tag: review

Unstable

So I’ve been having trouble talking to people all week. It seems to be going ok and then suddenly, without my realizing it, things go horribly wrong. My conversations with people have all been social disasters. I have no idea whom I’ve offended (or how) and who I haven’t. Polly packed up really quickly after flute band pratice. Maybe I acted tweaky towards her? I dunno. It’s been a crappy week, but gradually improving since Monday.
Christi’s favorite composer, Ellen, arrived today. She’s staying the weekend and deciding whether or not she wants to rent our place. One of the people whom she was hoping to visit while here died yesterday while biking in Emeryville. It’s very shocking and sudden. She’s unhappy (obviously). He’s being put into the Chapel of the Chimes on Monday.
Ellen showed me some Protools stuff, especially about nudge and grid and one of those funnylooking tools at the top. She also showed me a tuning table and explained it. Tuning people talk about “lattices.” What they really mean is a N-dimensional array. In Just Intonation, you think of notes as fractions. Your starting pitch is 1/1. A “fifth” above that is 3/2. You can create lines of fractions all related by the same distance. Take 1/1 and multiple by 3/2, then take the results of that and multiply by 3/2 and then take the results of that and multiply… and so forth, constructing the circle of fifths out ot infinity. This creates a line of fractions all related by 3/2. Now take 1/1 and multiple by 5/4. Take the result of that and mutiple by 5/4 and so forth, creating another line. Now create another line with 7/3. (the fractions I’m picking aren’t good ones, but the concept holds.) Keep doing this with more fractions. After a while, you have N lines that all intersect at 1/1. Ok, now go to Line 1, Fraction 1 and start making lines through it based on all of your fractions. Then go to the next one. then the next one. And thus an N-dimensional fraction array can be constructed. It can be useful to visualize it terms of a plane, so that one plane may have the 3/2 fractions on the X axis and the 5/4 fractions on the Y axis. This is how tuning people think about it, visualizing it as a “lattice” or related planes. But people who have taken Linear Algebra or too much CS can think of it as an array. Unless I’ve got this completely wrong.
For whatever reason, it’s much easier to talk to people who are very unhappy. I seem to disturb them less.
We went to the Edge Fest. Originally, I was scheduled to play wineglass for Daniel Lentz tonight, but he cancelled, so the whole evening was Terry Riley. He’s cool. Many of the pieces were just intoned and very beautiful. Some of them were not just intoned and very beautiful. Every piece had a extra cool moment in it. In the first one, Cinco de Mayo (1997), the moment came when Sarah Cahill stood up and starting playing a note that involved action inside the piano. The second and third pieces, the Dream (1999) and Baghdad Highway (2003) were not clearly differentiated, since Riley didn’t pause for applause between them. But they were very cool because of the East Indian / Blues fusion he had. Especially on Baghdad Highway. He was playing a really awesome, funky blues bassline on the keyboard, while also playing (improving?) a bluesy-yet-eastern influenced melody and singing in a distinctly Indian style. It all worked together amazingly well. Ritmos and Melos (1993) had it’s best moment when the piece unexpectedly became very staccato. The piano, pizz violin and xylephone all started playing short notes in the same range. They may have been in unison. The change was wonderful, just springing up. The last piece, A Rainbow in Curved Air (1968) was excellent throughout. It has just been reowrked to be Just Intoned. I’m not tuning-savvy enough to say anythign about the tuning, other than the piece sounded really great. The best moments were when Willy Winant was playing jaw hard and when he was playing handdrums. He is an amazing percussionist. The level of musicianship on the whole concert was very high.
Before the concert, we watched a movie about Riley. Long sections of the movie previously appeared in other films that were shown in the Other Minds film festival last year, but much of it was new. They showed a much higher quality print of Music with Balls than Other Minds could get last year. Ohter parts, especially recent interviews were new. The whole movie was very male-dominated. Women musicians, especially Pauline Oliveros, were mentioned as important composers and people that Riley had worked with, but unlike several male composers, she wasn’t interviewed. Other women were given very short screen time. But I had no idea that LaMonte Young was a biker, as I had never seen a picture of him before.
After the concert, we went and got beer with Kris Brobrowski (I knwo I’ve misspelled her name) who had a bunch of leads on jobs for Ellen. Hopefully, some of them will work out.

Longer Movie Review

First, let’s talk about what was cool about the first movie. It was green and oddly timed. The whole thing was shot with this errie greenish, slightly-off feel to it. Everything was kind of decayed. It was awesome. and the soundtrack was really good. the product placement, coupled with the excellent cinematography made it the movie equivalent to reading Wire Magazine We’re all anti-capitalist now, but at the time, it affirmed our dot com lifestyles. The whole movie was like a matephor for working at a startup. Neo works at an office that represses him. The establishment gets him down. But then someone approaches with a crazy plan, they can’t even reveal until he signs an NDA. His personal life sucks after that. He eats gross food and lives in a funny little room, and his clothes are beat up, but none of this matters, because he spends all of his time hacking the matrix. And he gets the cool dot com accessories. He gets the nokia. the super-fast network connection. Um, some machine guns, but you know they’re suppossed to represent palm pilots or something. He becomes the uber-hacker. He’s thinking outside the box. there’s no sex in the movie. Who has time for that when they’re wortking at a startup? The scene at the very end where he takes off like superman, that representes the stock after the IPO.
Ok, now on to the current movie. dot coms crashed. cell phones ar enot as ubiquitous as they were. nobody is buying toys like that anyway. and most importantly, AOL bought time Warner, the company that made the film. and the film people smelled a franchise and brought in some new writers. so the new movie has sex in it. Do you ever need to see whats-his-face that plays Neo’s bare butt? nononononononoNO. but there it is, on the big screen, larger than life. there’s more sex than that too, but it’s pg-13 sex. It’s really pg-14, since the target audience is clearly 14 year old males. and they got rid of most that confusing science fiction stuff. and the women in it were a little too powerful and onconventional, so they fixed that. And the soundtrack was little too alternative and not hollywood schmaltz in the first one, so they fixed that. And wouldn’t it be cool if there was a big fight, like in a medival chalet with a bunch of armor and swords and stuff stuck to the walls, so that people could just grab them and start fighting?? what an original idea! i’ve nevr even heard of that except in 2186731647983624 james bond movies and other lame action films. Oh, and throw in a bad guy that speaks french. they even got rid of the product placement. There’s really not much to say in terms of the plot, since the plot was clearly an afterthought to the really really really long, violent fight scenes. i think if you have over an hour of special effects, you might forget to do some of the finishing touches, like texture mapping. the special effects in the first film were awesome. the ones in the second film were rushed through production or something. it was on a par with some video games that i’ve seen. unrealistic movements. lack of texture on fast parts. bleah. bleah. bleah.
Ok, now I know all of you are going to go see it anyway, becauyse the original was so awesome. It’s not the same movie. It’s got the same actors playing charecters by the same names in an entirely different movie. an action movie. one where the sci-fi component has been dumbed down to Trinity guessing a root password in one try and hacking an entire system in three keystrokes. It provides some unintended comedy.
But you’ll see it anyway because it was shot in Oakland. there is a long long long long long get-up-and-go-to-the-bathroom-come-back-get-popcorn-come-back-go-for-a-smoke-come-back long long chase scene filmed on 880. It’s a whole bunch of car accidents. I think it was about an hour of the movie of car accidents. they keep going back and forth over the same stretch,, but traffic never gets snarled, despite it being in the 880 cooridoor and there being so many accidents. I think maype it was suppossed to look like they were moving forward, but the effect doesn’t work if you know the freeway. I can only imagine what KCBS’s traffic report would sound like. and no news helicopters ever showed up. anyway.
the also tear up and down broadway. and they go in one of the tunnels to alameda. is this why the tunnel was closed every night for months? you can see all sorts of local landmarks. so go and you might recognize a restaurant or something. otherwise, there’s really no reason to see the movie. i want my money back. and it cost $3 for a soda. that’s sugar and water!!!! for three dollars. it’s an outrage. i wish i’d gone to a concert instead.

Concert Review

Last night, I went to see two bands at 21 Grand. My primary motivation for picking this venue was that it’s a lot closer than the other two that were having shows. And it was awesome, so it was a good choice.
The first band was called Glass Bead Game. They’re a female-fronted quartet. the female front sings and plays guitar. Her male backband is drums, standup bass and a guy that doubles on violin and alto clarinet. Their songs are pop-y, but with definite new music influence. there was a high level of musicianship and the singer has a strong voice. some of the best playing came from the bassist who did some arco lines here and there. some of his bowings got didgeridu-like sounds and nice drones. the whole band had a nice improvisational feel, which may be because, as the singer explained, thay haven’t practiced together in a long time and not everyone knew all the songs. They were very entertaining and had good stage presence and banter. anyway, I would go see this band again. And I’m glad I saw them this time, since I was one of five people in the audience and I think christi and I were the only ones not personally known by anyone in the band.
The headline act was Peoples Bizarre. They play tunes based on Balkans and Eastern European folk songs. They have a stand up bass, a drum kit, an accordian, a cello, a violin and a guy that doubles on clarinet and bass clarinet. The clarinetest looks disturbing like The Onion columnist Jim Anchower, but played really well and wrote at least one of the songs, a nice mellow piece that mostly showcased the strings. the band was solidly good throughout, playing songs they composed. When they talked about the songs, they had a tendency to become academic, describing pentatonic patterns used in Albanian songs, for example. I appreciated the infomration, personally. They finished the set with a cover, which I thought was especially brilliant. The stock surf song that all surf bands play is actually a Hungarian folk song. So on their last piece, which had a section that either was that song or was very similar to it, their drummer switched over to a surf beat. It was awesome. I would definitely see this band again. In fact, I’m on their mailing list and I bought their record.
So I think I ought to strive to see a show (that I’m not playing in) at least once a week.

April 11, 2003

We really did not do much today. Woke up late. Walked to Jack Straw to see if anyone wanted to have breakfast with us. Heather did, but she was the only one there, so we went to breakfast without her, but brought her back a muffin. Then we did laundry. Then we called Ellen to try to get her to have lunch with us, but she was busy. So we walked back to JS and got Joan and Heather to take us to lunch. Then, after they went back to work, we called Tiffany and Ed and got coffee and looked at area music shops. I saw minidisc player, but it had no digital outs. Stupid consumer stuff.
Then we went to the Meet the Artist Night at JS. The first artist was Folasayo Dele-Ogunrinde, a poet. Her poems were short and about wisdom and inspriation, but mostly about love. She was excellent at presenting her poems, with great emoting. Christi bought her book. The second artist was Ben Larson. He’s a evolutionary scientist who beleives that music can evolve like living organisms in people’s mind. To demonstrate this theory, he gave a theme to three different musicians and asken them to interpret it. He played us a tape of the original theme and the re-interpretation. Then he did some computer loop-based thing to it that sounded granular. It was interesting, but I still don’t see the advantage to doing live laptop music than just making a tape ahead of time. The tape and the laptop have equal performance value as far as giving the audience something to look at and you can slave over a tape and make it perfect. Why not play a tape while checking your email? But this made me think that it would be interesting to do re-sampling stuff live. With an ensemble and a laptop. Like Tones. It would be just like playing a tape with an ensemble, but more interactive and hence, has the laptop and the performance aspect. And it’s interesting to re-assmble sounds in tape, so it’s also interesting to re-assemble sounds as they happen. Something to think about.
At the intermission, I discovered that the woman sitting behind me was a Mills alum. She talked about seeing John Cage play piano in the Mills concert hall in 1951. She also said that then all the “Mills Girls” got to play one piece from their senior concert on KPFA radio. This explains all the Mills names in the KPFA tape archive. Very exciting.
The next artist was Hannah Palin. She did a this American Life-esque radio segment called The Day My Mother’s Head Exploded which was about how her mother had a brain aneurism 15 years ago and survived, but changed completely. She played the radio segment. In it she described her experiences in the hospital with her mother. And how her mom changed and stuff. It was funny and poingant and interesting, but it was hard to listen to.
The last guy was a vocalist who recorded traditional ballads and his own lyrics in a folk style. One of the tapes he played was one of the same songs that Ellen played us a recording of herself singing. They both used a similar vocal style. It’s not a song I had heard before, nor a style that I was familiar with. So it was nice to hear this guy, even though his songs were longer than radio-ready format and it made me appreciate Ellen’s music more. cool.
I talked to Hannah Palin and her mother a bit afterwards. We talked about her experiences a bit more. Then we changed the subject to alternative brain healing technigues. Crystals, candles, St. John the Baptist. It’s a lot easier to talk about St. John the Baptist than hospital scenes. But she told me that she cried when doing the show even though it was 15 years later and her mom survived. Scars.
The Christi and I went back to our hotel room and watched When Harry Met Sally. I’m ready to go home, I think. But I’m not going home. I’m going to Connecticut with all my Seattle springtime clothes and none of my wintery clothes, while my poor sousaphone sits at home unplayed.
I’ve only ever watched when Harry Met Sally on vacation. It must get played on hotel cable a lot.

Where do tires come from?

My car needs new ones. Are these petroleum products? Who is being killed for tire ingredients? I don’t know where they come from, but I know where they go: gigantic landfills. Two such landfills are on fire right now in California and will burn for years, inflaming asthma and reducing air quality. You can’t really do anything with them. The rubber is “vulcanized” which means you can’t shred it and melt the shreds into new tires. Sometimes they are used as ingredients in asphalt or rubber tracks around highschools. Most of them just get dumped. Also, they wear down on the highways and tire dust settles across the landscape or runs off into streams. What are the long and short term effects of this? I’ve heard that tires are one of the biggest environmental problems around cars.
Christi’s nonprofit laid of two people and cut Christi’s hours. They are trying to raise money by auctioning off a Lou Harrison score on ebay: http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=2517100659&category=2331. So far, no bidders. Even though the seller has a feeback rating of zero, I can vouch for their integrity.
I went to the last evening of MFA thesis concerts at Mills last night, to get a feel for what the kids are up to. It’s one of the most prominent schools at which to study composition in the US, so I thought it would give me an idea what’s going on these days. The first student had a piece in the gym with a bunch people playing alto instruments: violin, flute, sax, clarinet, oboe, etc. The started out in a large figure-8 and walked inwards and then back out again. It was more about texture than meoldy. It was beautiful ot listen to and interrresting to watch. The composer said people could walk amongst the musicians, which I think diminished the performance aspect a bit, since I stayed seated the whole time. It guilded the lilly. But it was a beautiful piece.
The second student did something with two laptops in the concert hall. What did he do? Who knows. Maybe he checked his email while a tape played. I hope that if he were going to plan something in advance, it sould have been more thought-out tho. Also, he played a quicktime movie of a giant pound sign jiggling. For half an hour? Longer? While he checked his email. And repetititve, loud popping souns came out of the speakers. Or maybe the sound system was actually broken and nobody caught it. At the risk of seeming reactionary, I would like to bann the laptop from the concert hall. It is not a solo instrument. The program notes said the artist wanted to embrace “radical superflousness.” I think he succeeded admirably.
The third student moved us all out to the Greek Theatre, behind the concert hall. There was a large fire burning in a big pit thing. A string quartet was poised someplace up the hill from the theatre. A woman wearing black came down, read a short text and then sung it several times, circling the theatre, then the string quartet played. It was all very exciting. Then, for unknown reasons, a tape of Sun Ra started playing, looping on the part where the band sings, “Venus, Venus.” Someone yelled “Space is the Place” from a window. It was a mixed performance and went on too long. All the tape parts should have been cut. She should have stuck with the woman in black and the string quartet and the other ensemble of percussionist, singer and PVC didgeridu. I think she took everything she did while at Mills, including her homework for her introduction to recording techniques class and used it in her concert. Which, um, I kind of did the same thing at my concert at Mills, but I was an undergrad. Anyway, she was an excellent singing vioce and her quartetes were quite good and her work was not apolitical, as, I’ve heard, almost all the works presented over the course of the festival were.
So, it was a mixed bag and not at all different from what I remember as an undergraduate. I’ve heard rumors t the effect that absolutely nothing has changed. Who says you can’t go home again?

Thursday

skipping back to the OM festival….
I went with Christi to work, then went over to the Palace of Fine Arts for a TV thing. Evening Magazine was filming some of the wineglass ensemble for their show, and I was a in the ensemble. So I sat at a table, with the TV camera and obnoxious TV personalities to my back, and played a wine glass tuned too full of fluid to be audible. The wrid thing about playing wineglass, is that it creates standing waves in the fluid. SO if you’re playing and can’t hear yourself for some reason, like because you’re on a stage and the monitor speakers are pointing at you and there’s a mic right over your glass, you can look at the fluid and see if you’re getting sound out. In really full glasses, drops of water spring up, creating a mist. These glasses were filled with very cheap wine, so a mist of something like redwine vinegar was spraying up at my hand.
The pitch wasn’t audible, though, so the guy sitting next to me said that you could raise the amplitude by running your finger along the outside of the glass, rather than rim. He then demonstrated this. It was like a nice physicics lecture, because the raised amplitude of sound, directly corresponded to a raised amplitude of waves in the fluid and red wine got sprayed out all over me. Fortunately, I wore clothes that would bear this, just in case.
So we sat and played wine glasses in the background, while the TV people had inane banter encouraging alcholholism. Why would you play a wineglass, when you could drink the contents??!! Well don’t drink and drive, folks, but be sure to drink a lot. Certainly, drink alll the wine in front of you rather than linger over it or make music! Um, actually, the “why would you play a wineglass…” sentence is a direct quote.
Then my stand partner showed the TV people how to play the wineglasses. The male announcer said, “Oh I think mine’s a bit sharp.” and then drank some. Ha ha ha. Go alchoholism. Anyway, he has acting skills, because he didn’t gag on the auful wine.
Then the TV folks went to talk to Charles about the score auction. He pointed at the handwritten, signed scored by Lou Harrison and explained about them. Then, out of the blue, the host asked him if he watched Survivor. Charles looked startled and the female host said that whoever of Survivor has “finally met his match. ME!”
Clearly I’m not missing any life-enrichment by skipping the Tv medium. After this utterly meaningless bit of publicity was over (would anyone who want to watch that TV show want to come to our concert??), I asked Charles if he needed me to do anything. He said yes and had me watch a rehersal with him. I think he wants or needs a personal assistant or something.
After watching Amy X reherse, I went back to the OM office, where I did some kind of grunt work, then back to the PFA, where I sat at the auction information table and missed the composerss pre-concert talk. A lot of people wanted to look at the scores, but nobody was taking bid forms.
the concert was a world premiere of a new work by Ge Gan-ru that was studies of Peking Opera. It had a lot of fast plucking in the String Quartet and a piano part. The plucking seemed to flow from one instrument to another. They also did slides up and down the strongs. It definitely evoked Peking Opera, while also definitely New Music. Very interesting. Amy Cook and Mario were in the audience and so were Tiffany and Ed and Mitch and Mitch’s chew toy Stacey. Saw all of them at intermission.
Then Amy X Neuburg played. She did the same set that I saw her do over the summer at the San Jose Museum of Art. Her songs are pop-y and entertaining and use Bel Cant opera singing techniques, which means that she can sing really well in a flat or in an operatic style. All of her songs use vocal loops. So she’ll sing one thing and loop it and then sing with herself and loop that. Bobby McFerrin uses this technique too, but Amy X is cooler.
The audience thought she was the bomb. I don’t think many of them knew of her work before. She sold more CDs than anyone else at the festival.
then Evelyn Glennie played two songs for solo snare drum and several songs for solo marimba. She wrote one of the songs that she played, but the rest were written by other folks. You wouldn’t think that anyone would want to listen to songs for solo snare drum, but she was so amazing, I could have listened to another hour of snare drum. And the marimba was also incredible. At one point, she was singing the same pitches that she was playing on the marimba. What makes this an especially amazing feat is that she’s been profoundly deaf since age 8. She plays with tremendous warmth and sensitivity and with great care. She has an incredible dynamic range (the ability to play very loudly, very softly and in between) and is probably the world’s best percussionist. Apparently, she’s also very gifted at reading lips, but obviously cannot dect sounds that she doesn’t visually witness. Christi says that she went to the artist retreat one day and there was a loud noise outside. Everyone jumped except Glennie, who asked what happened.
Anyway her performance was inspiring and changed the way I view the snare drum.
One of the Board of Directors had a party afterwards, so we headed over, as did Mitch, Stacey, Tiffany and Ed. It was in her five story warehouse/loft thingee. All of us unimportant hangers-on tried to look as if we belonged and tried not to be intimidated by the decor. Oh yes, I always go to parties at houses with Lichtenstein and Warhol hanging on the wall. Wanted to inpect them to see if they were real or prints, but didn’t want to be uncool. Wanted to talk to the composers but didn’t know then and hadn’t been introduced and didn’t want to be uncool. Christi introduced me to the hostess. People started going home. As it got less croweded, I started being less cool and talked to a bunch of nifty folks. Some guy on his way out said “Gxis la revido!” I said “Cxu vi parolas esperanton?”
the guy took esperanto with Ed Williger at Stanford but had quit just weeks before Tiffany, Christi, Mitch and I had started. He was amazed to learn that several esperantists had been at the party. He was kind of drunk though and tried to engage everyone in a game of charades. We were parking on a tow-away after 2:00 AM spot, so we took off and then spent more than an hour on the bridge trying to get home.
Overall, great concert. Great party. I haven’t been to party that cool since the era of dot com launches ended. I just heard today that thursday actually had the best turnout of all the nights. Also, I leanred that the symphony opening was scheduled for wednesday also (poor planning, really) and the Chronicle reviewer skipped it to come to the OM concert! Unheard-of!!
More later

Old News

In the old days of HTML, everything needed a title and when you send an email, it needs a subject, so I feel compelled to title every blog entry, even if the title is insipid. is this a dumb idea or good practice thinking up titles, since every piece of usic needs a title, no matter ow insipid. Of course, I’ve been titling some of those by date. Hmmm

Untitled Blog Entry

Wednesday

Last Wednesday, I did not go to work with Christi for some reason. None of my car pool really wanted to go to the Rorem reception, so I skipped it. I didn’t drink the good wine. I didn’t meet the composers or the board of directors. I didn’t hear Tom Armanio’s speech. He had two minutes allotted to him in the schedule. I understand he went somewhat over time. In retrospect, I have no idea why I didn’t just go with Christi to work that morning.
I did see the concert, although not the pre-concert talk. The only song of Rorem’s that I’d really heard before was I am Rose, which is not my favorite song, so I went to the concert with low expectations. It started and was very neo-romantic. His songs seemed to be composed primarily with intellectual conciet, to show off his skill at setting the words, rather than to highlight the meaning of the words. He used a whole bunch of poetry about love, life and death, mostly death. as the piece went on though, the power of the words began to build intensity and his setting seemed more to highlight the intensity. finally, by the third part, in the midst of a long and emotional, angry, worried poem about AIDS that the baritone was belting out with all the anger and intensity that belonged in the poem, the audience was moved to tears. There was a lot of sniffling in the auditorium. I reached for my hankerchief.
There was a lot of ego in the settings, but also a lot of artistry. The singing and piano playing was excellent. All of the songs were played through with only minimal pause. At the end, the applause was tremendous. the Palace of Fine Arts is not a resonant hall and applause tends to die very quickly, but the audience was very enthusiastic and clapped for a long time.
Then one of the opera singers, two pianists and the gay men’s chorus came out to play and sing christi’s arrangement of King David’s Lament for Johnathan by Lou Harrison. It was moving and fit very well with Rorem’s work. It also personalized and made immediate all of the song and poetry about death. Some of the poems were very immediate and personal that Rorem set, but Lou just died and many of the singers, players and even audience members knew him. He was featured in the previous year’s festival and spoke briefly at the film festival, so many folks there had at least seen him before. The song is a wonderful and beautiful lament and Christi’s setting flowed very well from soloist, to chorus to chorus and audience singing. The San Francisco Chronicle review described it as “moving.”
Christi, however, was not happy. There was no time for a tech rehersal, so the micing of the chorus was uneven and they were quiet (the acoustics in the hall are not good enough for anyone to sing unamplified, even a full chorus). the sound guy tried bumping up the volume and good a bit of feedback. Also, one of the piano players apparently did not have time to reherse. The piece opens with a piano line that continues throughout and some nice tone clusters. One of the pianists missed some of the opening notes and although the performance notes called for them to link arms, Christi said they did not do so. The piano part quickly came together, though. and the audience’s singing was surprisingly good, given the difficulty of the vocal line. There were clearly some excellent singers in attendance.
afterwards, I was listenign to what folks around me were saying and it was all good. Charles told me that he felt bad for Christi when the pianist missed the notes, but I don’t think many folks in attendance noticed it, or if they did, they forgot by the end.
All in all, and excellent evening and the largest audience of the entire festival.

product review: biodiesel

Well, my car has about 5% less power, as expected. Not a big change or a
big deal. Some of the drivers who were not looking for the power
difference didn’t notice it. Gas milage is 5% worse as well.

The car now smells like burnt french fries instead of stinky diesel. No
more gross, stinky diesel on my hands at the gas pump.

i can go to bed at night knowing that i’m not inadvertantly contributing
to the war drums beating against Iraq. I’m not using their oil!

http://www.biodiesel.org

Concert Review: Women’s Looping Festival

The concert started at 7:00, which is a sucky time, because you don’t really have time to eat before then on a weekday. So imagine my surprise when, after paying the $7 admission, I saw the buffet. The concert came with food. There was a lot of meat, but also salad and hummus, the vegan standby. It was pretty good. There was alos a bar where one could purchase alchoholic beverages (probably non alchoholic ones too) and bring them into the show.
So I got to the show on time, but got distracted by the food and missed part of the first act. The music was in a long skinny room, with the stage along a long wall. It’s an intimate setting, but there was a pretty good group of people there. The first woman was mostly doing stuff with prerecorded tracks and echo/delay fx. She was talking about her cats and then about Saddam Hussein (she was pro-peace). She had some peaking problems with the mic and hasn’t quite figured everything out yet. Later I heard her say that it was her first show. So it was great for a first show. I think she was called Audio Goddess.
The second woman did world music stuff. She sang some traditional folk songs, harmonizing with her own voice through looping. She’s still learning the technology, and was explaining about how she has slightly changed her vocal technique. She has not yet found her voice for looping, but is very promising. Her music was entertaining and good. She had slight timing problems, but they’ll smooth out as she figures out the technology more. And I doubt non-musicican types heard any timing problems or anytthing at all beyond a good set. She was Unity Nguyen.
The next act was into ambient. She had a ton of percussion equipment, but mostly used her voice. Since she was ambient, her work was very static and I foudn my mind wandering, so I don’t know if she used any of her equipment or not, except I saw her bowing a cymbal. I think she could have used some more resin on the bow. She was heavy into echo fx and apparently didn’t turn down her percussion mic when she was recording vocals, since she ended up with a recording of her voice making a snare drum hum. I was too far away to see, so there may not have been a snare drum, and it certainly could have been on purpose. She did two or three songs. They kind of sounded the same to me. She has a CD out. I was not super-impressed, but my companion thought she was great. Ambient is not my favorite genre to lsiten to, but I can be fun to create. Some of her stuff sounded like it was decaying as it looped (that’s a good thing) and making space for her new tracks. That’s a cool fx (is it effect or affect?). Her name was Dark Muse.
The next person did some very light elevator techno with electric guitar over it and spoken words, but I think her mic was turned off. This was either her fault or a poor sound check. She used a e-bow thing for the guitar. So did the person previous to her. It seems to be the thing for ambient people. She also did some straight guitar stuff. She was heavy into fx. One of her synths seemed to be a guitar synth, so it made it more difficult to tell exactly what she was playing when, although certainly the sound is the most important thing. She has some wacky controller that worked like a theramin. It was set up to play discreete notes (for instance, through the guuitar synth) instead of continiuosly varying a frequency, like a regular theremin. Her work was also very static, but the songs sounded different. She travelled from someplace far, like Boulder, to play in San Jose. I think she’s blind. Her name was CQ.
Finally, Amy X Neuburg, the headliner came on. Amy X is a master of the technology. Her timing is perfect, the knows how to use a microphone and her songs are all different from each other and entertaining. Also, she has a mastery of her voice and has a wide range of pitch and style. She has a lot of experince using her set up and has a lot of practice. Her songs were often funny. They were very multilayerd. They were also multi-parted, so she would start with one theme, leave it and then come back to it. She had one song about her Neuroses that listed things she forgot to do and included “Oh no, I forgot to have children.” She laos talked about going to the grocery store at 3:00 AM while stoned and how messy her apartment was. It was the best song of the set, although the others were good. At the end, she received a standing ovation, so she came back to end with a song called Finnish, which was in Finnish.
Amy X is really in a different league than the other artists, but I think it’s a good idea to have people of varrying success and ability play the same show. Punk rock shows do this all the time, where they put on inexperienced bands, who may need more practice but show promise, on first and close with a great act who plays with mastery. New music shows (or “festivals”) typically instead borrow from the classical tradition where people of equal talent are grouped together. So an artist’s first show might have only freinds and family present. With the punk rock/San Jose Museum model, the person playing her fiorst show had a crowd of 40 people or more. Also, people can trickle in through out the evening and know that the best is on last. More new music shows ought to be run this way. Also, maybe because it was in San Jose and culture there is sparse, it was a really well-attnded show. the same show in the City or the East Bay would have had far fewer people in attendance.
Anyway, I was wondering how to send a tape to the organizer when he came on stage and announced the next festival, which he would be performing at, playing day-glo green plastic. Everyone around me (who had been to Woodstockhausen) gasped. Woodstockhausen people are everywhere!
Media reference: http://www.bayarea.com/mld/bayarea/entertainment/music/4198158.htm

Christi has left me her laptop, so I am lying in bed and updating my blog. I used to day dream about doing things like this. I have Christi’s previous castoff laptop as my very own now, so I could do it, but that one has a terrible keyboard. Also, it got upgraded until it was too slow, so I’s need to back up to System 8 to get decent performance out of it. Anyway, with Christi’s shiny new not-yet-over-upgraded laptop, I can lie in bed with a good keyboard and slack away, totally prone. Not totally, prone cuz then i couldn’t see the keyboard, and i’m not any sort of touch typist, especially with these nice but tiny keys. I’ve got her laptop so I can try out her score notation software. You enter in notes into whatever type of score you’ve picked up (I’ve got a percussion score open) and then you can play them back and hear a good midi rendition of the instruments you’ve chosen. I know, welcome to the 1980s, this is not a new thing. But it’s new to me. First of all, the MIDI sounds actually sound good. Secondly, I never quite got my notation software working. It’s mostly designed for people who want to do MIDI pop songs, so it uses that piano roll method of showing notes and if you get into score mode, it’s a pain to edit the notes. And it’s more designed for people to play something into the program then painstakingly type in each note. But Siebelus is aimed at composers. It’s aimed at composers who want to spend a lot of money and then only be able to install on one computer. So this is Christi’s software on her computer and not mine. Also, it’s got the best splash screen of any program. I like to start and restart the program so I can hear the violin line do that great tension/resolving thing. yikes.