Field Recordings

Sounds of the peace protest on March 20th. Use a client that plays as it downloads. some of these files are large.

Total time is approx 74 minutes. There is some overlap. This is a very rough set of cuts, with mistakes and low-fi sounds, but it’s cool cuz it’s recorded with binaural mics, which means that if you listen with headphones, the stereo is awesome.

Looking for tuba in all the wrong places

londonjack76: hello there
londonjack76: how r u doing???
electrogirls: hi
electrogirls: i’m looking for a sousaphone
electrogirls: do you have one?
londonjack76: what is that ??
londonjack76: please explain
electrogirls: it’s a type of tuba designed for playing while walking or marching
electrogirls: a regular tuba would be ok too, as long as there was a way to walk with it
londonjack76: hehe i am so stoned
londonjack76: and i can barely understant
londonjack76: d
londonjack76: what is a tuba
electrogirls: a tuba is a musical instrument.
electrogirls: it’s very low and usually made out of brass (but someties also plastic)
electrogirls: it sounds like “oompa oompa”
londonjack76: ahh wow i was so confused
londonjack76: i thought is was some sex tool
londonjack76: hehehe
electrogirls: there’s like 3 or 4 feet tall and weigh 60 lbs. you’d need a big bed to have sex with a tuba involved
electrogirls: they’re wide too
londonjack76: escellent
londonjack76: sexcellent
electrogirls: i guss not that much bigger than a really fat fifth grader
londonjack76: tahts good
londonjack76: so sorry no i dont have one
londonjack76: heheh are were you expecting me to have one of those??
electrogirls: maybe you have a friend with one?
londonjack76: comeon now
londonjack76: hehe i dont think so
electrogirls: i’m looking for a cheap one to play during anti-war riots
electrogirls: i don’t want to take my good one out in the street in case it gets clubbed by a cop or hit with a tear gas canister
londonjack76: yeah i agree with you
londonjack76: nopes i dont sorry
electrogirls: it would totally suck if a tear gas canister went in the bell (the bell is then end that sound comes out of, about 4 feet in diameter)
londonjack76: so your going to the riot??
electrogirls: you’d probably never be able to play it again without accidentally gassing people
electrogirls: well, i try to avoid riots
electrogirls: they’re dangerous
londonjack76: i know
londonjack76: are a cute women ??
londonjack76: if you are dont go
electrogirls: but sometimes you can be marching down the street, minding your own vuisiness with a few hundred other people, just blocking traffic and playing tunes
electrogirls: and then suddenly cops with tear gas and clubs are after you
londonjack76: hehe guys will be all after you ( drunk guys )
londonjack76: heheh
electrogirls: the women being arrested in san francisco on thursday were really really vute
electrogirls: cute
electrogirls: after guys started seeing them being arrested, tey went out to be arrested too
londonjack76: heheh i wouldlove to be arrested with a cute women
londonjack76: why dont we get arrested together
londonjack76: 🙂
electrogirls: anti-war protesters are hela cute
electrogirls: hella
electrogirls: (hella means “very”)
electrogirls: well, getting arrested would be fun, but a i need a cheap sousaphone first
londonjack76: ahh
londonjack76: hehe you and the sousaphone
londonjack76: hehe
electrogirls: a sousaphone is a tuba kind of shaped like a hula-hoop
electrogirls: you see them in marching bands
londonjack76: yeah i get it
londonjack76: now i know

disrupting san francisco

Morning

So my housemate, Tiffany, and I met up in dowtown San Francisco this morning around
10:00 or so. Protestors were chained to large cement garbage cans in
Market Street near 2nd. People were banging on drums and dancing around.
Then the police got into formation and started marching around. They told
everyone to get out of the street or face arrest. Most folks got out of
the street and then the cops started very calmly arresting people one at a
time. It all seemed very civil. The people waiting to be handcuffed
seemed to be having amikable conversations with the cops. They were sat
down, cuffed, then one by one phtographed and put onto a bus.
Then the fire department showed up and started cutting through the pipe
and chain binding the chained-up protesters together. the police were
getting frustrated and treating non-cooperative protesters roughly. they
dropped one woman to the ground and twisted her arms back painfully. When
she said she was in pain, the guy supervising said her pain was nothing
compared to what she had caused commuters that morning.
The bus filled up. People on it were singing “We all Live in a Yellow
Submarine.” they drove away to cheers from the crowd. The crowd was
non-confrontational. They were shouting things like, “SFPD, 99% of the
time, you’re the greatest!” And there were hundreds of cops. We
outnumbered them, but there sure were a lot of them.
The problem for them was like the story of the person trying to move the
ocean with an eyedropped. When they got an intersection cleared, we just
moved down a block and stopped traffic there. People in office buildings
stared down at us. work was stopping.

Noon

Tiffany and I walked to the Civic Center for the noon rally. There
were hardly any cops around. The mood was more stressed, but still
carnival like. Some speakers shouted. I purchased some sketchy food that
will probably result in food poisoning.
All of us marched over to the federal building and surrounded it. People
handed out flyers on upcoming protests, other political campaigns and how
to be and stay a non-violent protestor.

We blocked traffic around the federal building. People sat in front of
the parking garage exits. There were a few more cops, but not many. A
reporter asked a cop behind me how they were planning on getting people
out of the building. the cop said he didn’t know. My father-in-law used
to work in that building, I’m pretty sure. Stopping the Forrest Service
doesn’t seem super-productive. Anyway, it seemed like that if folks
wanted out, the protesters would not only have let them out, but would
have cheered them for leaving work. going back might have been a problem,
it seemed, but then later I heard folks verbally discouraging a court
reporter from going to work, and he got in anyway.
Some guy was holding a sign that said “Puke for Peace.” I just read a
news report that said that 300 people actually did vomit as protest.
goodness.
I walked up the street and saw a marching band and asked them about
joining, explaining that I want to get a marching harness for my lap tuba. The
suosaphone player was exhausted. It was 2:00-something and he’d been
playing since 7:00 AM and the wind was very gusty, which is hell for
sousaphones with their big bell facing forward. So I marched and played a
couple of songs. There was no printed music. He told me the songs were
in d and F mostly, so I faked it.

Afternoon

The crowd at the federal building was thinning out, so we called Christi, my wifey, to find out what was
going on. She had a tough call to make this morning, since she works
for a struggling non-profit. After seeing the CHP looking grim in riot gear on the way in to the city, she decided
to go to work rather than risk a scary encounter with one of them.
Anyway, she told us that there was rubber bullets and tear gas being used
over at 7th and Market and that there was an officer down.
Tiffany and I walked over to see what was going on and so I could get
field recordings of it. I wore a pair of binaural mics in my ear all day,
recording to a sony minidisk. the minidisk is the bomb. I never have
brought my DAT recorder to a protest, even with the ghigher quality. I
don’t yet have a didigtal out for the disks yet, but anyway, we walked
over there.
there was some spray paint and a group of what looked like black-block
protesters. Thos are anarchists who wear black, spray paint and break
windows of war profiteers. they want to end capitalism. there were a
couple of folks sitting in the street, handcuffed, a lot of people milling
around and a whole lot of cops. chanting was sparse all day and the
afternoon crowd there at Market was nearly silent. Watching, waiting.
the cops outnumbered the crowd. while i was there, a whole bunch of CHP
showed up. The cops standing next to the sidewalk were the same cops I
saw that morning, only they looked tired, more grim and angry. A few
meters from me, they started arguing with some woman standing on the
sidewalk. they threw her to the ground and cuffed her. She was
screaming, that she wasn’t a protester, she was just standing there, she
didn’t do anything. As far as I could tell, they did pick her at random.
she was on the sidewalk, not blocking traffic. And they seemed to be using a lot of force. She was yelling that them, but dropping her to the pavement face first seemed to be excessive
Everyone was angry and the cops outnumbered us and seemed very determined.
At the noon rally, the protest organizers told us to go to the financial
district at 4:00 to block evening commute traffic. I think the cops were
going to open the street, damnit.

No sign of what we’d been told over the phone happening… yet. So we
went for a walk the other way. There was a crane picking up all the
cement grabage cans and putting them on a truck so that nobody could drag
them into the street and be chained to them anymore.

Later

after sleeping less than an hour last night, I’mm too dern tired to block
commute traffic this evening. think I’ll do more stuff tomorrow instead,
after I write the music I need to write (deadlines….)

if you had an orange vest and some safety cones, you could cause traffic
havok, just going from intersection to intersection, coning it off. The
salvage yard in berkeley at 7th and ashby sells cones for like $1 each.
fyi. there’s also a movement to drive really slow. Drive slow, walk
slow, hold up traffic. the slow-moving protest actually was instrumental
in driving a dictator out of power, but i’m too tired to remember where.
Tiffany knows all about it though. Ask her.
anyway, i have 4 or 5 minidisks full of field recordings, but no digital
out anywhere on my recorder. la la la. need to get the recorder to dump
to my puter.

stop work to stop the war!

Yesterday

Got an acceptance letter from Mills College. Worked a tiny bit on music for April 9th. I must start composing at top speed soon. I procrastinate way too much. It’s wonder that I’ve written any music at all since school. Then I went to see my dad to get my thin mints and to write thank you notes for donations made to the Carmelite Nuns in memory of my mother. I guess they’re praying to get her out of purgatory. That takes a lot of weight off my shoulders. Still, the popularity-contests aspect of it is troubling on a spiritual level. The catholic faith is way too complicated. I asked my dad if he wanted to go to Mitch’s party and he said no cuz he didn’t want to be the oldest person there by 30 years. He would have been.
So I went to Mitch’s party and with that conversation, I’m glad my dad wasn’t there. I’ve decided that it’s not the presence of sexy lesbians that makes the het folks talk about sex. I think they just talk about sex all the time. It seems to be much more complicated for them. More negotiations, misunderstanding, disappointments. Or maybe that’s just sex and the single girl of any orientation. Who knows. At least they’re very enthusiastic about it.
Other conversations centered around parodying communion. It made me uncomfortable even though I’m all for the Sisters of Perpetual Indulgence, but they seem to just lampoon the camp aspects. Anyway.
i also downloaded the Camino browser yesterday, because I can never learn the lessons against upgrading. First of all, why did they change the name from “Chimera”? do they not want people to recognize the name? All of Mozilla seems to be deeply confused about brand identity. Why do they have so many redundant projects with so many names? Why not just have it all be Mozilla with some different install options? Then everyone would be using the same words to talk about the same project and they’d have brand-identity and people would care about them. Having fewer projects competing with each other might be smart too. How many macintosh browsers can one group produce? No wonder they’re soliciting donations. AOL is begging me for money. Unsurprising, really. I hope nobody gives them any. Yes, I know they don’t actually pay the developers anymore and stuff. but I’m not sending my cash off to a gigantic corporation as a donation! Um, anyway, back to the point, the arrow keys don’t work in text areas. apparently the new name means new bugs. Yay. Why did they name it after the half-car/half-pickup? Or is it a reference to the minimall hell that is El Camino Real? It doesn’t make sense at all.

Homoland Security Update

Tom Midge of Finland today altertered casaninja’s Nun Alert status from Full Habit down to Mini Skirt. The system of warnings is designed to alert Ninja’s of a possible need to access sudio time in the middle of the night. Last night’s Nun Alert level was prompted by sound engineering that went on until past 2:00 AM. Tonight’s reduction to Mini Skirt, a level designated to mean that it would be all right to go ahead and invite the UC Cheerleading tea over for an all-night orgy, came about because the project is basically done and the sound engineer expects to be tired tonight.
The system was recently instated to ensure better warning and communication between Ninjas who wish to use the bed area and Ninjas who wish to use studio space late at night. Critics have blasted the system, calling it overly complicated and claiming that the very name “homoland security” is problematic and possibly biphobic. Tom Midge of Finland defended the system, pointing out that naked women appaear twice in his collected comics, thus demonstrating his committment to bisexual inclusion. He went on to state that he expected to have to raise the Nun Alert to Pantsuit some time within the next two weeks as intelligence indicated that other deadlines are fast approaching and late time studio access may become necessary.
The four levels of Nun Alert are:

  • Full Habit: The studio will be in use past bed time.
  • Pantsuit: The studio may be in use past bedtime. Be alert and on gaurd, but continue to consume and go about your businiess.
  • Miniskirt: The studio will not be in use. Feel free to invite over the UC cheerleading team.
  • Leather Suit: The studio-users expect to be able to use the bed area with you!

The Free-associative Press contributed to this report.

Friday

I’m not going to work, I’m going to reveiw the Other Minds Festival!
So I went to the Palace of Fine Arts Theatre at 1:00, to show up for the final wineglass rehersal. It was to be the only rehersal with the everyone together. I’d never met any of the choir members or soloists before. so I showed up at 1:00 and the wineglass players were sitting in the suditorium waiting while the stage hands set up the stage. There was actually complicated staging, so this was not a short wait. Also, whenever there were questions, someone needed to be able to answer them and Lentz, the composer, was in and out, mostly out. Nobody knew where he was.
So I had a long conversation about handbells. Apparently there’s a contingent of secular handbell groups looking for secular music. More such groups than you’d think. a few of the wineglass people were also handbell people and they said that they tended to play works by the same few composers over and voer again, just because they didn’t want to always play hymns. Opportunity is knocking! after i get everything else done and stop procrastinating, I need to find out about writing for handbells.
finally, after a long wait, we got on stage for a sound check and then a rehersal. We did not manage to play through the piece. I was lost most of the time. My stand partner, who is a professional singer who has sung opera and toured for years and certainly has read more music than I have, was also lost most of the time. Things were not coming together. It looked worse and worse.
One of the guys at my table was having trouble staying seated during the rehersal. He kept getting up and taking photos. then he’d go for a walk. It was just too long for him. It was too long for me too. And a complete trainwreck. When they turned us loose at a quarter to 6:00, i had not eaten since breakfast and felt doom hovering over the entire endeavor.
I went out into the lobby to tell the folks handling tickets that my dad wouldn’t be showing up until after my call, so could they tell him that I’d meet him at intermission.
then I started eating GORP. Linda bought food for the staff to snack on while working. I wasn’t working that day, but I sat in the supply closet and inhaled all the GORP, some sushi, some treck mix, a soda pop, a ton of cookies. No work, yet all the food. They told me not to feel guilty, so I didn’t.
Christi’s mom and her friend Joyce came and were in the lobby. I sat with them and said that the whole mini-opera was going to fall appart completely after the first three minutes. I felt better about it, though, from the food. Just smile and look confident and any errors will be placed at the feet of the composer, not the ensemble. So when it was time, I went back stage and waited around again for a long time and missed the composer’s talk.
I got in a long conversation with a floutist. she’s auditioning bass players to play rock and roll at the national flute convention. I got her card. I’m going to try out if the dates work. Then official people told us instructions about getting on and off stage. they cautioned us that the glasses were worth $200 each.
We got on stage and found that my fingers were dry and were not going to make sound no matetr what I did because they had gotten wrinkly and weird from rehersal. thinking quickly, I switched to my index finger. fortunately, this worked, since I opened the piece. (I’m not making this up…) So I started playing and then my solo was over and then other folks started playing their wineglasses too and then the guy who kept getting up during reheral knocked his wineglass over and broke it. wine sprayed acorss my table and we all jumped. I had been repeating as mantra to everyone, “smile and look confident and everyone will think it was on purpose.” so when he knocked over the wineglass we all looked startled for a moment and then smiled and tried to look confident. He later told me that if I hadn’t kept saying that over and over again before hand, he might have lost his cool. anyway, my dad said later that he thought it was onpurpose, since it was set up to look like a cafe and people always drop glassware at cafes.
the conductor loudly whispered measure numbers to us and we were able to stay mostly together. He had been making changed to the score (big huge changes) druing rehersal. christi was running the supertitles for the opera singers. she was following the score and projecting the lines as they came up. nobody told her the score changes, but she managed to hold it mostly together. The projectionist was impressed. apparently it takes alot of practice and training to do the supertitles at the opera. He was surprised that Christi could just pick it up and do it. Especially since she didn’t have the most recent version of the score.
Anyway, amazingly, we got through it without a trainwreck and stayed together a lot better than in rehersal, especially because of the whispering. I was amazed at how well it went. Not to say ot was perfect. Five more times, and I’d have it solid.
so afterwards i asked my dad what he thought and he said, “Actually, I liked it.” I’m glad. I don’t want him to feel like all those music lessons and that undergraduate composition degree was wasted.
In the second half was Jack Body’s Sarajevo for piano, which got a lot of people, especially, Christi, excited. Then they played Three Sentimental Songs for piano and percussion trio, which was a world premier. For that, he took three kids songs, like Daisy and set them for crazy marimba lines and celesta and fun toy-sounding percussion. the percussionists sang at one place. The last song, the audience was suppossed to sing along, but I didn’t know the song. I told my dad that he hadn’t sung enough to me as a child. He said that I complained to my mother when he tried to sing to me. Which, I did. I remember him howling the song Barney Google and me running to my mom to get him to stop. anyway, I noticed Evelyn Glennie in the audience, slapping enthusiastically. The percussion parts were fun to watch, but since she could sing along with the marimba weh she was playing it, maybe she has perfect pitch and can watch people play and know what the notes are? Her skills boggle my mind.
There was a very long pause, longer than even an intermission would be, while we waited for William Parker to set up. finally, after more than twenty minutes, he came out and played a short set. It was very low-key. There was excitement when the vocalist asked what the difference was between a soldier and a murderer. But it peaked there and didn’t ever creep above that. The audience wanted to get excited and the band tried to comply, but then, while trying to creep up in energy level, William Parker suddenly announced that he was done. It was sudden. There was polite applause. I later learned that one of the guys deliberately streched out the set-up time way beyond the allotted five minutes because he considered t part of the performance and OM was forced to cut him off to avoid thousands of dollars in overtime pay to the tech crew.
We went out to the lobby and the folks working there started dimming the lights up and down to get folks to leave. Very rushed. My dad said he had to go because it was an hour commute each way and it was late, so he took off. Then Christi went around making sure that everyone had a ride to the reception afterwards. Daniel lentz invited folks to self-hosted reception in honor of his birthday and Cafe Desire. So we gave Zeppie and Jack Body a lift to the reception. Body remarked that the Parker set never reached orgasmic intensity. Christi highly praised Sarajevo. We talked about other things that have since slipped my mind. He was extrodinarily nice and friendly, though.
There was cake at the reception. I talked to Dina, one of the wineglass players, about the New York subway. She loves it. I’m going to record her talking about it soon. I decided to buy a glass of dessert wine. Amy X Neuburg was standing at the bar also trying to get dessert wine. I accidentally tried to pay somebody else’s tab, so she asked if I was going to pay for her too. I said I would cuz all of her music was so cool. She asked some questions about wineglass playing, were we playing thw whole time? We chatted and then Lentz came by, so I gave him a CD of mine, Faux Pas. I told him it was a birthday present, but I was just kidding around. He took it seriously, though and asked me to sign it, so I did. At some point, he took off saying the party was moving to his house.
Around 1:00 or maybe 2:00, the waitstaff started encouraging us to leave. Jack wanted to go to the Lentz place and so did Amy X. I did too, but Christi wanted to go home, as did Amy’s husband. We offered to drop them both off at the Lentz place, but there were issues, for example, the bug did not have enough seatbelts.
“It’s ok,” Amy explained, “I never die in accidents.”
But then how was she going to get home? Jack’s hotel was just blocks from the party, so he said that she could dleep with him in his bed. Amy’s husband objected. Jack exclaimed, “I’m gay!!!” Anyway, none of them got a lift from us, since Amy’s husband decided they they should verify that there was actually a party before leaving her to sleep with gay Jack.
I reluctantly decided not to go, since I was going to be working at the EYH confrence in the morning. It was probably a good idea to skip, since I later heard that Jack asked Amy how she slept (apparemtly, she found a ride home afterall) and she said it had been terrible. They started tearing up the sidewalk only an hour after she went to bed, at 8:00 AM or something.
So I went home to sleep. This is my celebrity gossip, though. Maybe I should send it to the Chronicle gossip woman, Leah Garick?

Tifanjo!

I woke this mornign and discovered that tiffany washed all the dishes I had not washed the night before. wow.

Tifanjo, mia amiko
promenadas en la strato.
Kien iras vi?
Kien iros vi?
Ri diras nenie.
�
Tifanjo kaj la aliaj verduloj
ne sxatas la estracxoj.
La esperantistoj diras ke
Milito ne! Milito ne!
Ni diras ke milito ne! Milito ne! milito ne!
�
Cxiuj de civitanoj
devas diri ja ion.
la homoj estas en la statroj.
la homoj estos en la stratoj.
Ili diras, “paco.”
�
Tifanjo kaj la aliaj verduloj
ne sxatas la estracxoj.
La esperantistoj diras ke
Milito ne! Milito ne!
Ni diras ke milito ne! Milito ne! milito ne!

Thursday

skipping back to the OM festival….
I went with Christi to work, then went over to the Palace of Fine Arts for a TV thing. Evening Magazine was filming some of the wineglass ensemble for their show, and I was a in the ensemble. So I sat at a table, with the TV camera and obnoxious TV personalities to my back, and played a wine glass tuned too full of fluid to be audible. The wrid thing about playing wineglass, is that it creates standing waves in the fluid. SO if you’re playing and can’t hear yourself for some reason, like because you’re on a stage and the monitor speakers are pointing at you and there’s a mic right over your glass, you can look at the fluid and see if you’re getting sound out. In really full glasses, drops of water spring up, creating a mist. These glasses were filled with very cheap wine, so a mist of something like redwine vinegar was spraying up at my hand.
The pitch wasn’t audible, though, so the guy sitting next to me said that you could raise the amplitude by running your finger along the outside of the glass, rather than rim. He then demonstrated this. It was like a nice physicics lecture, because the raised amplitude of sound, directly corresponded to a raised amplitude of waves in the fluid and red wine got sprayed out all over me. Fortunately, I wore clothes that would bear this, just in case.
So we sat and played wine glasses in the background, while the TV people had inane banter encouraging alcholholism. Why would you play a wineglass, when you could drink the contents??!! Well don’t drink and drive, folks, but be sure to drink a lot. Certainly, drink alll the wine in front of you rather than linger over it or make music! Um, actually, the “why would you play a wineglass…” sentence is a direct quote.
Then my stand partner showed the TV people how to play the wineglasses. The male announcer said, “Oh I think mine’s a bit sharp.” and then drank some. Ha ha ha. Go alchoholism. Anyway, he has acting skills, because he didn’t gag on the auful wine.
Then the TV folks went to talk to Charles about the score auction. He pointed at the handwritten, signed scored by Lou Harrison and explained about them. Then, out of the blue, the host asked him if he watched Survivor. Charles looked startled and the female host said that whoever of Survivor has “finally met his match. ME!”
Clearly I’m not missing any life-enrichment by skipping the Tv medium. After this utterly meaningless bit of publicity was over (would anyone who want to watch that TV show want to come to our concert??), I asked Charles if he needed me to do anything. He said yes and had me watch a rehersal with him. I think he wants or needs a personal assistant or something.
After watching Amy X reherse, I went back to the OM office, where I did some kind of grunt work, then back to the PFA, where I sat at the auction information table and missed the composerss pre-concert talk. A lot of people wanted to look at the scores, but nobody was taking bid forms.
the concert was a world premiere of a new work by Ge Gan-ru that was studies of Peking Opera. It had a lot of fast plucking in the String Quartet and a piano part. The plucking seemed to flow from one instrument to another. They also did slides up and down the strongs. It definitely evoked Peking Opera, while also definitely New Music. Very interesting. Amy Cook and Mario were in the audience and so were Tiffany and Ed and Mitch and Mitch’s chew toy Stacey. Saw all of them at intermission.
Then Amy X Neuburg played. She did the same set that I saw her do over the summer at the San Jose Museum of Art. Her songs are pop-y and entertaining and use Bel Cant opera singing techniques, which means that she can sing really well in a flat or in an operatic style. All of her songs use vocal loops. So she’ll sing one thing and loop it and then sing with herself and loop that. Bobby McFerrin uses this technique too, but Amy X is cooler.
The audience thought she was the bomb. I don’t think many of them knew of her work before. She sold more CDs than anyone else at the festival.
then Evelyn Glennie played two songs for solo snare drum and several songs for solo marimba. She wrote one of the songs that she played, but the rest were written by other folks. You wouldn’t think that anyone would want to listen to songs for solo snare drum, but she was so amazing, I could have listened to another hour of snare drum. And the marimba was also incredible. At one point, she was singing the same pitches that she was playing on the marimba. What makes this an especially amazing feat is that she’s been profoundly deaf since age 8. She plays with tremendous warmth and sensitivity and with great care. She has an incredible dynamic range (the ability to play very loudly, very softly and in between) and is probably the world’s best percussionist. Apparently, she’s also very gifted at reading lips, but obviously cannot dect sounds that she doesn’t visually witness. Christi says that she went to the artist retreat one day and there was a loud noise outside. Everyone jumped except Glennie, who asked what happened.
Anyway her performance was inspiring and changed the way I view the snare drum.
One of the Board of Directors had a party afterwards, so we headed over, as did Mitch, Stacey, Tiffany and Ed. It was in her five story warehouse/loft thingee. All of us unimportant hangers-on tried to look as if we belonged and tried not to be intimidated by the decor. Oh yes, I always go to parties at houses with Lichtenstein and Warhol hanging on the wall. Wanted to inpect them to see if they were real or prints, but didn’t want to be uncool. Wanted to talk to the composers but didn’t know then and hadn’t been introduced and didn’t want to be uncool. Christi introduced me to the hostess. People started going home. As it got less croweded, I started being less cool and talked to a bunch of nifty folks. Some guy on his way out said “Gxis la revido!” I said “Cxu vi parolas esperanton?”
the guy took esperanto with Ed Williger at Stanford but had quit just weeks before Tiffany, Christi, Mitch and I had started. He was amazed to learn that several esperantists had been at the party. He was kind of drunk though and tried to engage everyone in a game of charades. We were parking on a tow-away after 2:00 AM spot, so we took off and then spent more than an hour on the bridge trying to get home.
Overall, great concert. Great party. I haven’t been to party that cool since the era of dot com launches ended. I just heard today that thursday actually had the best turnout of all the nights. Also, I leanred that the symphony opening was scheduled for wednesday also (poor planning, really) and the Chronicle reviewer skipped it to come to the OM concert! Unheard-of!!
More later

Monday

I woke up with Owen lying next to me. Matthew, Jenny and Owen stayed over with us rather than driving back to Mnt View late at night and Christi hijacked OAT to try to wake me up in the morning. It worked. All of us, including Tiffany and Christi’s mom went for breakfast at Tomate cafe, which has improved a lot recently. Then we returned and I complained that my relationship to Owen was way too complicated to explain, so Jenny said that Christi, her mom and I could all be godmothers.
Everyone went back to their homestates or work or whatever, and I called up Best Music about my tuba and they told me to go to Best Repair. When I lived in Cupertino, I got all my tuba work done by a guy named Sousa (what elese could you do with that name?) in San Jose. So I was wondering about Best Repair, since I was unfamiliar with them. When I purchased my tuba, the old owner told me that BOBO (the world’s greatest tuba player, who is with the La Philharmonic) had seen it in a shop after the 5th valve was added and tried to buy the horn, but the owner refused to sell, lending it to him for a couple of seasons instead. This story took place, I figured in LA, but the shop was called “Best” something-or-other. Anyway, I walked in with my horn and put it on the counter and the guy looks for about 5 seconds as I point at the worn cork on the valves and says, “I did all this valve work.” He went on to explain that he added the fifth valve. I asked him about the story with Bobo and he said that he knows Bobo, but the story was wrong. He also told me that he didn’t add the spring-loaded tuning thingee, so maybe that’s where Bobo saw it, or maybe the whole Bobo-connection is a myth. Anyway, I feel very good about having that guy work on my horn, since he’s already worked on it extensively and done a great job. I’ve left in good hands.
Then I came back home and got the mail, where there was a thin letter from Wesleyan. I feared the worst, but since I got into Cal Arts, I could go someplace if I wanted, and I’m not sure if I want to, cuz it’s a lot of money and who knows how valuable an M.A. in composition is anyway? Christi told me years ago that the average salry of a music graduate declines as their education increases. I’d do better financially if I just have a B.A. and not a M. A. and if I went back to high tech and anyway. Wesleyan’s short letter explained that they are happy to offer me admission,a full ride and a stipend. I started jumping up and down and jumped on christi and then ran over to my neighbor’s house where I jumped up and down and frightened her dog. Then I jumped up and down some more.
Then we took the framed fine-art scores to Christi’s office, cuz I always worry about things getting harmed when I have them and they’re not mine. when we got back, Christi told me that she had a long conversation with Lyn Liston of the American Music Center with at the Other Minds festival. Christi and I met Lyn at the Composing A Career confrence last spring. The AMC is holding three carrer building workshop thingees coming up soon. I think I posted the info to the call for scores blog, linked to in the left margin. Anyway, Christi and I will be unable to attend the SF one, because we have to play in Seattle right afterwards, but there’s one in Seattle the next weekend that we were going to go to. Lyn told Christi that the AMC has been advertising our “Meet the Composer” thingee in Seattle as an adjunct to their confrence. Obviously, they would comp us in to the festival since we’re featured, etc.
Blinking extensively at that news, I stumbled over to a computer where I had email from my dad telling me that he purchased me a whole case of Girl Scout Thin Mints.
I don’t think I’ve ever had a day quite like yesterday before. Certainly better than any day I had last year. It was just one good thing after another. My my fairy godmother’s sabatical just ended or something. I still have deadlines creeping up though, and yesterday was not a good day for working on stuff. I’m still blown away.

Old News

In the old days of HTML, everything needed a title and when you send an email, it needs a subject, so I feel compelled to title every blog entry, even if the title is insipid. is this a dumb idea or good practice thinking up titles, since every piece of usic needs a title, no matter ow insipid. Of course, I’ve been titling some of those by date. Hmmm

Untitled Blog Entry

Wednesday

Last Wednesday, I did not go to work with Christi for some reason. None of my car pool really wanted to go to the Rorem reception, so I skipped it. I didn’t drink the good wine. I didn’t meet the composers or the board of directors. I didn’t hear Tom Armanio’s speech. He had two minutes allotted to him in the schedule. I understand he went somewhat over time. In retrospect, I have no idea why I didn’t just go with Christi to work that morning.
I did see the concert, although not the pre-concert talk. The only song of Rorem’s that I’d really heard before was I am Rose, which is not my favorite song, so I went to the concert with low expectations. It started and was very neo-romantic. His songs seemed to be composed primarily with intellectual conciet, to show off his skill at setting the words, rather than to highlight the meaning of the words. He used a whole bunch of poetry about love, life and death, mostly death. as the piece went on though, the power of the words began to build intensity and his setting seemed more to highlight the intensity. finally, by the third part, in the midst of a long and emotional, angry, worried poem about AIDS that the baritone was belting out with all the anger and intensity that belonged in the poem, the audience was moved to tears. There was a lot of sniffling in the auditorium. I reached for my hankerchief.
There was a lot of ego in the settings, but also a lot of artistry. The singing and piano playing was excellent. All of the songs were played through with only minimal pause. At the end, the applause was tremendous. the Palace of Fine Arts is not a resonant hall and applause tends to die very quickly, but the audience was very enthusiastic and clapped for a long time.
Then one of the opera singers, two pianists and the gay men’s chorus came out to play and sing christi’s arrangement of King David’s Lament for Johnathan by Lou Harrison. It was moving and fit very well with Rorem’s work. It also personalized and made immediate all of the song and poetry about death. Some of the poems were very immediate and personal that Rorem set, but Lou just died and many of the singers, players and even audience members knew him. He was featured in the previous year’s festival and spoke briefly at the film festival, so many folks there had at least seen him before. The song is a wonderful and beautiful lament and Christi’s setting flowed very well from soloist, to chorus to chorus and audience singing. The San Francisco Chronicle review described it as “moving.”
Christi, however, was not happy. There was no time for a tech rehersal, so the micing of the chorus was uneven and they were quiet (the acoustics in the hall are not good enough for anyone to sing unamplified, even a full chorus). the sound guy tried bumping up the volume and good a bit of feedback. Also, one of the piano players apparently did not have time to reherse. The piece opens with a piano line that continues throughout and some nice tone clusters. One of the pianists missed some of the opening notes and although the performance notes called for them to link arms, Christi said they did not do so. The piano part quickly came together, though. and the audience’s singing was surprisingly good, given the difficulty of the vocal line. There were clearly some excellent singers in attendance.
afterwards, I was listenign to what folks around me were saying and it was all good. Charles told me that he felt bad for Christi when the pianist missed the notes, but I don’t think many folks in attendance noticed it, or if they did, they forgot by the end.
All in all, and excellent evening and the largest audience of the entire festival.