Problems

As I see it, there are two kinds of problems. One is right-now problems and the other is past problems. Right-now problems are ones that areoccuring right-now. Example:

A: does this make my butt look big?
B: no, your butt is already the size of Romania
A: that hurt my feelings
B: I’m very sorry.

I think those should be addressed as they come up, like person A does in the example.

Past prolems are things lurking from the past. Example:

A: It hurt my feelings last year when you shot my dog.
B: It was rabid!
A: You don’t know that for sure. We should have brought it to the vet.
B: It was chewing on a human baby!
A: That dog was very important to me!
B: You’re a lunatic!
A: you’re an insensitive jerk!

Past problems are lurking around and they must be addressed or they will erupt in bad ways, but as we can see from this example, bringing them up can also be dangerous. I think that in some cases, past problems require a professional referee to help people sort them out.
there are my thoughts about problems. thank you

Symphonic

I decided to a symphony arrangement of the piece that I did at the very start of my winter break that was so popular among my 4 blog-readers. The Wesleyan Orchestra is doing a reading soon and the American Composers Forum has a reading opportunity as well. which means it will get read by at least one orchestra (go me).

I’m not sure about the end. Also, I’m not using any oboes. Several instruments get to stay home. I dunno if that’s ok for symphony writing, but fortunately, there’s people around here I can ask. christi told me that a common mistake for beginners is to have the whole orchestra playing at once. (And this is one of the reasons I love Christi, cuz she tells me things like that. and because she likes Phillip Glass.) I hope it’s ok to have brass and strings at the same time. When I saw the SF Symphony over break, on either the Hindemith or the Berg violin concerto, or both, I don’t recall, the whole orchestra was playing, but quietly. It was super-intense. I met MTT afterwards and exchanged a few words about composition. He said that if you were writing for orchestra it was like you had to be historical or get back in time or something to that effect. It’s a lost art, kind of. Maybe this is why so little new music gets programmed: because conductors think writing for orchestra is a lost art. but it kind of is. Very few of the composers here are interested in writing symphonies. Most composers in real life get their own pickup bands together, more or less.
anyway, Et sonnera le baffroy de la ville sans cesser durant l’assault is the midi file, which all of you can listen to. If you are a musik geek, you can look at (and listen to) the score, if you download a plugin from http://www.sibelius.com/cgi/plugin.pl.

Stuff

I read Christi’s blog and then sent her email asking her to define “yelling,” cuz I’m not sure what she means. But maybe this is a conversation we should to have until we’re in-person and with a professional counsilor, if she decides to go that route. She said that she would wait a week and then get back to me. Maybe I should leave her alone and let her think. Clearly, I should leave her alone and let her think.

Communication is such a mess right now. How did it get like this?

Just skipped class

I just called Christi and asked if she wants to work it out.

I’m concerned. Previous post is nice introspection, but it’s mostly about my errors. We cannot focus solely on my errors, but alas, this has been something of a pattern in the past. It’s what comes of being raised catholic. I was trained at an early age to do examinations of conscience, where I would ponder my errors, confess them and then recieve pennance to atone for them. This does not work in a relationship if you’re dating a protestant.

How can I fight the past and make it behave? How can we do something radically new in the future? Radical newness is what’s needed. Stop and reboot.

Introspection

My relatsionship with Christi had many problems. We had different methods of dealing with them and different ideas about what they were. What we were agreed upon was that June 2002 – the end of 2003 was a messy, bad time. My way of dealing with this was simply not to deal with it. I wanted to focus on loving each other and hope of the future. Christi wanted to directly address these lingering issues. Neither of us has especially good communication skills, so when she would try to address these problems, I would not get what she was talking about and be upset and not want to think about the bad past.

She, however, wouldn’t let go of the past and so the past rose up and bit me at the start of winter break. I spent the winter break contemplating the past and patterns in our relationship that had not changed since we were 19 even though we had changed and the patterns weren’t good then and had gotten less good over time. The past was a huge ocean, rising up and threatening to drown me. It was too big. I didn’t understand what Christi was talking about and it hurt me. The way she said it hurt me, but I didn’t tell her that. If only we would just focus on the bright and hopeful future, it would all go away and everything would be ok.
The magnitude of past hurts, when I couldn’t ignore it anymore, was overwhelming. How christi tried to talk about it (and I resisted) hurt in a correspondingly overwhelming way. Not only was it huge and horrible, but she wouldn’t let go of it. I couldn’t see a way to let go of it without letting go of her. It was the only thing I could think of to do. Trying to talk about it would just hurt me further. It would hurt her. There was no point in drowning ourselves in an ocean of woe. I stopped talking to her to avoid having to talk about this. I was frustrated by her unwillingness to simply embrace my vision of a future disconnected from the last 2 years.
Today, Alvin told a story about a guy explaining his compositional style by writing the word Beethoven on a piece of paper. then he wrote “19th century.” then he wrote “minimalism.” He drew an arc from “Beethoven” to “minimalism,” bypassing the 19th century and then wrote his own name next to “minimalism.” It’s a nice notion to think we can ignore the 19th century, and indeed we try, but it’s foolish to assert that it hasn’t changed and affected us as composers. Lou Harrison editted Ives, who took all of his ideas from the 19th century. I listen to Lou and get ideas from him. I come from a 19th century musical heritage which I cannot escape from.
But I wanted to escape from the last 2 years. I wanted to draw a line from returning from Europe in 2001 (full of ideas and enthusiasm) to the present. And maybe this composer in Alvin’s anecdote could make a reasonable claim to being unscathed by the 19th century, but I couldn’t make a similar claim about 2002. I didn’t want to talk about the last couple years. I didn’t want to think about them. But with Christi arriving and the sort of introspection one engages in around the New Year, I did think about them. It was a deep chasm from which there seemed to be no way to get out. I told Amy later, “how much can two people hurt each other before it’s enough?”
So I stopped talking to Christi, but I couldn’t stop thinking about her. I got back to school and thought, “I want to run away from home.” but I already had. running away from home doesn’t help. Problems have an uncanny way of following you. Trying to ignore things doesn’t make them go away. focussing soley on the future is not a way to fix problems of any kind. My denial of the past was as useful to our relationship as Dubya trying to fix the deficit by setting up a lunar base. Both ideas are fueled by a sort of optomism, but a ludicrous way to deal with any sort of present problem. Both require a solid foundation that needs/needed repairs before it support such a project. My refusing to talk about the past or deal with it was like Dubya ignoring WMD stuff in the State of the Union. It must be addressed. (I must stop comparing myself to Bush!!)
I never told any of this to christi. It didn’t fit in my world view of “if we just ignore this it will go away.” It certainly didn’t fit with fleeing tidal waves from the past. and it was a tidal wave. The past had been steadily collecting behind me, waiting for me to examine it. It’s like the reading backlog I’m already generating in my Mystic Voices class. (alas) I cannot explain how overwhelmingly huge the unexamined past was or be less metaphorical in my description. What is true is that I needed/need space to deal with huge personal demons. I could not discuss them with Christi then. It looked like I would never be able to. Breaking up with Christi seemed like the most sensible option and the least painful for me and for her.
Obviously, breaking up with Christi and fleeing to Connecticut did not make these demons disappear. I took with me two carry on bags, one checked bag, and the maximum limmit of emotional baggage (one day in therapy and I’m already in cheesy metaphor land). And I’ve been examining the recent past. And suddenly many of the seemingly hurtful things that Christi said seem to make sense. Suddenly, it’s clear that she was trying to slay some demons instead of having them creep up on us forever. That our 19 year old patterns didn’t fit anymore. That we had to talk about the future not in vague, hopeful terms, but in the concrete and rooted in our experience. She also hurt my feelings. Neither of us is good at this communication thing. It’s hard to do over the phone. She may not have hurt me on purpose.
I love her
So now what?

New Cell Phone

So apparently, it was not beating my cellphone against a pillar in Oakland that temporarily cured it of it’s antenna woes (although that seemed to help). My pld phone existed on a different frequency than the new system in Connecticut. this explains why my reception was steadily degrading (as they changed the system) and why it would spring back to life in NYC and CA.

I have a new phone as of today that works on both the NY/CA frequency and the new CT frequency and it didn’t cost me anything. The guy at the phone store assured me that my old phone would be sent to CA and sold as refurbished and not go into a landfill. He also gave me the name and phone number of a recording studio in Hartford that often needs bassists to sit in on pop/punk recording sessions. I also learned that the fancy new cell phone rings are actually mp3s. so my dream of composing cell phone rings is a bit odd then, since any song can already be a ring. I’m going to double check this last fact. But maybe I can play in a poppy punk band at least.
My personal ad is liove, but doesn’t yet have a picture. So far, no replies. I’m feeling far less certain about things than I did earlier. My confusion and unhappiness is great. My tears flow freely. I went to the school shrink and cried a lot. She wants to see me for the next two weeks. she does a great concerned expression. It must be hard to listen to woes all day. I had dinner with some undergrads and said i had seen one of the shrinks and they all knew her. Everyone in Middletown is insane. The people in the mental hospital are insane. The people in the halfway houses are insane. the people in the grocery stores are insane. everyone connected to the university is insane. we’re all damn crazy around around here. I want to go home. I kind of wish that I had never come.

Find me on yahoo

After 24 hours pass

I am a music grad student at Wesleyan and am new to Connecticut. I’m looking to meet someone for friendship or dating. I enjoy experimental music, radical leftism and long walks on the beach with my dog. I also like to read and program my computer. My friends say that I’m funny and a good bass player. I’m an idealist. I speak Esperanto. I’m looking for someone funny and kind who digs music.

aside from starting nearly every sentence with “I,” how’d I do?

Personal Ad

Ok, so I’m thinking of doing it.

Nubile grad student seeks woman aged 23-50 for friendship, dating. I enjoy experimental music, radical leftism and long walks on the beach.

Apparently, I’m not “nubile” as I am not in a “marriageable condition.” And I have virtually no idea what to say. Actually, I kind of like the second sentence.

Slacking

Apparently, I don’t need to take Gamelan again and indeed, would not receive crtedit for it. I only need two semesters of ensemble and I’ve already got one of them. And Gamelan, from 8:00 – 10:00 pm, is my only thursday class. Therefore, I am about to drop out of it. I mean, I like gamelan, but it’s my only thursday class.