On Suffering and Bravery

Bravery

Back when I was an undergrad, in my 3rd of 4th year, I grew a benign tumor in the bone of the index finger of my dominant hand. It didn’t hurt as it grew, but it made my finger swell up, so I went to a doctor, who figured out what it was. He told me I should get it fixed within the next 6 months. For the next 5.5 months, it continued to swell and got kind of bendy – in a bad way. Finally, during the winter break, I went to see a hand surgeon. He told me that he would take bone from either my wrist or my hip to repair the bone in my finger. So I went in for an operation, not knowing if I was going to be able to walk properly at the end of it.
Fortunately, my wrist had enough extra bone. Although I couldn’t move my hand at all and my finger had shattered during the operation. It hurt like a mofo. I couldn’t write for the first few weeks of the spring term. And I had to switch to playing the trombone, because I couldn’t push a valve or actuate a string. I was also off my head on pain killers for a few weeks, and behaving in an odd way, and I had a gigantic bandage. When people asked me what happened, I would invent stories about heroics or accidents involving heavy machinery. People called me a lot of things during that time, some of which I was not pleased with.
Nobody called me brave. In fact, nobody called my dad brave when, after 50 years of wearing glasses, he got his eyeballs lasered. He had laser beams shot at his eyeballs, people! And when some of my well-endowed friends decided that their backs would hurt a lot less if they got breast reductions, I never heard anybody call them brave.
People have me called me brave, however, when I came out as queer at a Catholic high school. Well, not at first. First there was harassment. Then there was just being sort of a mini-celebrity whose friends got harassed. (Alas for them.) Then, suddenly, about the time I turned 18, the same people who had been giving me grief for the last four years wanted to tell me about how they respected me. As if I still cared what they thought!

Suffering

Life is suffering. – according to the first of the four noble truths of Buddhism. I find that a bit dark (at least without any context). I mean, life is also joyous and fascinating and boring and everything else. Suffering is certainly unavoidable, though. It’s like death and taxes. Everybody’s life has rough spots.
There are some social groups that are widely perceived as having extra suffering. For example, in America, biracial people, especially those with one black parent and one white parent. There’s a whole genre of fictional representation of this – called the tragic mulato. Writers imagined this person would feel at home in neither race and live a life of misery and sorrow, accepted by nobody and unable to achieve anything of note. Shockingly, this mythology still persists and is believed as truth. You’d think the president of the US would be a good enough counter-argument, but people believe what they want to believe.
Then, gay people were also perceived to suffer terribly. Again, all that ‘outside of society,’ ‘accepted by nobody’ crap. And, I mean, life probably does suck a lot for Ted Haggard and George Reekers. But it doesn’t suck because they’re gay. It sucks because they’re too cowardly to come out of the closet and so they build a giant web of lies and denial around themselves, that ultimately doesn’t just hurt them, it also harms their wives, children and, in the case of those two, society as a whole. Because it’s not brave to come out. Even in Catholic school. It’s a survival strategy. Life in the closet is too hard; it makes you act in strange ways.
Note that in both examples of suffering, there’s nothing fundamentally painful about either state, it’s just that some other people are bigots and might conspire to make your life difficult. And the whole social propaganda model of suffering was not to discourage bigotry, but in fact, to shore it up. None of this was ever framed as, “they suffer so, because of us. We should pack it in.” It was always framed as pity, which is just a hair away from hatred. And also as a warning to try to prevent people from turning gay in the first place or from biracial people from ever being born. This notion of suffering then, served the purpose of strengthening a binary opposition in terms of race and re-enforcing compulsory heterosexuality.
People who advocate for you to get a bunch of pity are not your allies. They deny your agency. They erase anything positive about your experiences. The prescribe social abuse even as they pretend to abhor it. Anybody who describes you as “brave” for existing is tapping in to this same idea. It’s as if they’re saying: “It’s so exceptional that you dare to let us know who you are and where you live, because some of us *wink* *wink* might come after you!” It seems like the more fruitful conversation should be with their peers in privilege, reminding people that sexual orientation or mixed race parentage is a natural occurring human event.
What’s worse is that people who use words like “brave” really do mean well. They don’t stop to think about what they’re saying, because who wants to think about their privilege? If you tell a mixed-race couple that they’re brave for having kids, you’re certainly expressing racism, even as you think you’re fighting it. It’s tough out there for well-meaning, but ignorant would-be allies. Alas, they’re not brave for charging forth and putting their foot in it.

Trans People

Much like it’s uncomfortable and awful pretending to be the wrong sexual orientation, it is similarly unfun pretending to be a gender that doesn’t work for you. Discrimination and violence also suck a lot, and there’s an unfortunate amount of that about. Fortunately, at least, dysphoria is something that can be dealt with. The process of transition is something of a journey, but it’s towards a happier goal. I feel good about it and I don’t think I’m alone in that. When I see trans people talk about the steps their taking along this path, they mostly are happy and excited, if sometimes also nervous.
Some of us have had a rough time getting to where we are now. Some haven’t. Some phrases about suffering do get repeated a lot, though, even by trans people. This could be because the speaker did have a hard journey. It could be out of a misguided confusion where they imagine the road to acceptance has pity as a way point. In some cases, it’s gotten in to the public discourse because shrinks mandated it in the script that trans people had to recite to get access to treatment. Everybody learned their lines. We say what they want us to say, they give us our HRT. It’s annoying and unhelpful, but you do what you have to do.
Some trans activism really is brave. People who fought the police at Stonewall, for example. But just going to the clinic? It could be a personal milestone in the life of that person. You know, and you could congratulate them, like you would a gay person coming out. Or like you would somebody at a baby shower. Give them support appropriate to the amount of closeness you have with them. But don’t assume we suffer. Don’t call going to the doctor brave.

My Wotever Playlist

Last night, I DJed for the first time ever, at a queer bar in Vauxhall. Bar Wotever is one of my favourite things in London. It’s a friendly, chilled out environment that is a real mix of people. There are LGB people and trans people and the straight and cisgender friends and lovers . It’s every Tuesday. the early DJ starts at 6 (that was me) and plays until 9. then there are usually a couple of stage acts and then another DJ playing dance music.
So my first ever DJ set was 3 hours long! Fortunately, very few people come for 6, so my early n00b errors were largely unwitnessed. It was fun and most of the music I played went down well, except for the one noise piece. Heh. It’s a great piece of music, but the organiser was not into it. This, incidentally, it a reason I write 1-minute pieces. Like, people will usually give you a minute. So if you can write a nice noise piece that’s one minute long, they will give it a shot and may even find they like it. Then it’s like a gateway drug for longer noise pieces. But I digress.
I have a list of everything that I played, but alas, I don’t know what order I played it in! So here’s a list of the songs I played, but totally out of order. If the song title is a link, it leads to where you can download it.

Song Artist Album Notes
Shy Girl The Sand Man Kaos Theory : Live On The Air trans lyrics, but uses the word “hermaphrodite” for shock value. Not sure what to think.
Yusae-Aisae Wendy Carlos Beauty in the Beast trans composer
Isis Whirled Venison trans composer
Poison 3 Jess Rowland The Shape of Poison trans composer
Without a care M. C. Brennan trans composer
Chromozones by Amber Calpernia Addams Sanitarium Sanctorum trans artist. I like this song because people make such a big deal about sex chromosomes XX or XY and this takes the piss out that
Anticipated Athens Boys Choir Bar Mitzvah Superhits Of The 80s, 90s, And Today trans artist, deals with trans issues
last forever (chill mix) Kim Petras last forever trans artist
Glorimar’s Whore House (Excerpt) DJ Sprinkles Bassline.89 Trans artist with an unfortunate history of cissexism.
Seminole Wind Gravemist HEILIGES LICHT presents Landwirtschaft somebody told me this band has a trans member
Just Ask Adhamh Roland Patchwork and Threadbare trans artist. I like this song because ze sings about how ze likes hir body, in a nice alternative to the “trapped in the wrong body” bullocks. This artist is cool. click through.
Gender Rebel Olias Fall Quandary trans artist and trans lyrics, but uses the word “hermaphrodite” for shock value. Not sure what to think.
Home Jonathan Rachel Williams Trans artist. Cool. Has a podcast.
Gender Frontier Lipstick Conspiracy Miniskirts and Minibars trans band. I saw them play in oakland years ago.
I Forgot My Mantra Bitesize The Best of Bitesize Band with a trans memeber: Julia Serano, the author of Whipping Girl. This band is awesome!
Understudy Bitesize Sophomore Slump
Dirty King The Cliks Dirty King awesome band from Canada with a trans front man. Recently voted sexiest Canadian rockstar!
Genderfuck Elmo Sexwhistle Awesome genderqueer band from Brum!
Stanley, the Manly Tranvestite Camp Records From the 1960’s
Are you listening? dewdrop_world with the voice of Lady Gaga
Oh, If Only You Were More Nekromantik! Bolivar Zoar Bolivar Zoar A Mills band!
Camden Town Rain Mary Lou Lord Stars Kill Rock Lesbian lyrics
Rebel Girl Bikini Kill Singles The Joan Jett version
Where The Girls Are The Gossip That’s Not What I Heard lesbian lyrics
On Guard Le Tigre Feminist Sweepstakes
Lésion Mouche Anatomie Bousculaire Lésion-Mouche French lesbian punk rock
I Love My Daddy… Messy Messy – Happily Ever After this band is awesome
I Wanna Be Your Joey Ramone Sleater-Kinney Call The Doctor 90’s riotgrrl queercore
Uncle Phranc Team Dresch Captain My Captain
Pansy Twist Huggy Bear Taking The Rough With The Smooch British 90’s riotgrrl queercore
It’s Practically Freedom Lesbians On Ecstasy We Know You Know
No Home Ellen Fullman/Konrad Sprenger Ort Friends! Good music!
Legions (Reverie) Zoe Keating One Cello x 16: Natoma
Aaj Ki Raat (Tonight Is the Night) Kronos Quartet Kronos Caravan Music I like form the San Francisco area
Polka Peoples Bizarre Peoples Bizarre
My Fuzzy Muse Amy X Neuburg Residue
Prognissekongen Jaga Jazzist One-Armed Bandit Prog rock – Ingo liked this one
1997 (Tonight we’re gonna party like it’s…) Sleepytime Gorilla Museum Grand Opening and Closing! Oakland-based prog band
Mummy Secret Storage Blectum from Blechdom De Snaunted Haus Another Mills band! I took a bunch of music classes with half of this duo
20060401-transplanted slub London-based live-coding group.
The Gloaming (DJ Shadow Remix) Radiohead
Marine Diam’s Au tour de ma bulle (live 2006) Anti-fascist french hip hop
Never Cold War Intuition + Method Friends
5 Million Ways To Kill A CEO The Coup Party Music Oakland based leftist hip hop
Girls & Boys Blur Parklife Girls who are boys who like boys when they’re girls . . . this should be the theme song to wotever
Fuck The Pain Away Peaches The Teaches Of Peaches This might be the theme song to Wotever.

There’s some possibility that I might get asked to DJ again. If you’re in a band with LGBT people or sing about LGBT themes and you want me to play you, you should send me mp3s! (This is just a ploy for me to get free music. ) If you are in such a band, you may wish to contact Wotever, especially if you’d like to play a gig.
I did not play every track that I came with, alas, but next time!

Writing Letters

Ok, so this arrested couple in Malawi has been in the news lately. To quote the New York Times, “A gay couple in Malawi sentenced to 14 years in prison for ‘unnatural acts’ . . ..” The good news: they were pardoned! Yay!
The bad news? From the same article, “Late Saturday, Mr. Chimbalanga, who has said he considers himself a woman in a man’s body, and Mr. Monjeza were released from custody.” What the fuck is this? I don’t even . . .
The AP Stylebook has fucking rules about how you talk about trans people. They do not include referring to women as “Mr.” nor “he.” Nor do they involve referring to man/woman couples as “gay.” That sentence above is the most ungendering piece of shit they’ve yet to turn out this century. Yes, he might consider himself a woman, but here in New York, we certainly know better! Because, apparently, Africans are not worthy of having their identities recovered? Or is the NYT just looking for any excuse to be transphobic in general?
Alas, the Times is not alone in this shit. I highly encourage you to write letters to any newspaper you see that disregards the gender identity of Ms. Chimbalanga.
Seriously, we in the first would want to be all moral high ground about this, but our newspapers can’t seem to manage to respect her either.

To: letters@nytimes.com
Subject: AP Stylebook Guidelines for referring to transgender people
Dear Sir or Madam,
In your article, “Malawi President Pardons Gay Couple” (http://www.nytimes.com/2010/05/30/world/africa/30malawi.html?partner=rss&emc=rss), you mention that one of the people arrested, Ms. Chimbalanga, identifies as a woman. The AP Stylebook has guidelines for how to refer to transgender people. It does not include referring to transgender women as “he” or “Mr” nor does it include referring to man/woman couples as “gay.” I have no idea what your motivation is to entirely disregard and disrespect this woman’s identity. It is entirely inappropriate and you should know better.
Thank you for your time,
Charles Celeste Hutchins

Snare Drum

Or clap or whatever. I don’t actually like snare drums or their ilk very much.
Here’s the part where I can push faders around to get good values:


(
 SynthDef(snare, {|out = 0, freq, rq, hpf_d, hpf_cv, curve, dur, amp, pan = 0|
 
  var noise, hpf, hpf_env, env, panner, imp;
  
  noise = PinkNoise.ar(1);
  imp = Impulse.ar(1/(dur + 0.1), 0, amp);
  
  env = EnvGen.kr(Env.perc(0.0005, dur, amp), doneAction:2);
  hpf_env = EnvGen.kr(Env.perc(0.001, hpf_d, hpf_cv, curve)) - 12;
  hpf = RHPF.ar(noise, (freq.cpsmidi + hpf_env).midicps, rq) * env;
  
  panner = Pan2.ar(hpf + imp, pan);
  
  Out.ar(out, panner);
 }).store;
 

 Conductor.make({|cond, freq, rq, hpf_d, hpf_cv, curve, dur, db|
 
  freq.spec_(freq, 200+660.rand);
  rq.spec_(rq, 0.45 + 0.1.rand);
  hpf_d.sp(1, 0.0001, 1.45, 0, 'linear');
  hpf_cv.sp(24, 0, 36, 0, 'linear');
  dur.sp(1, 0.0001, 1.5, 0, 'linear');
  db.spec_(db, 0.2.ampdb);
  curve.sp(-3, -1, -8, 1, 'linear');
  
   
  cond.pattern_(
   Pbind(
    instrument, snare,
    db,   db,
    freq,  freq,
    rq,   rq,
    hpf_d,  hpf_d,
    hpf_cv,  hpf_cv,
    dur,  dur,
    curve,  curve
   )
  );
 }).show;
)

That requires the Conductor Quark. I’m not sure about that sound design, anyway. And here’s the final version:


 SynthDef(snare, {|out = 0, hit_dur, amp = 0, pan =0|
  var noise, hpf, hpf_env, env, panner, imp;
  
  noise = PinkNoise.ar(1);
  imp = Impulse.ar(1/(hit_dur + 0.1), 0, amp);
  
  env = EnvGen.kr(Env.perc(0.0005, hit_dur, amp), doneAction:2);
  hpf_env = EnvGen.kr(Env.perc(0.001, 0.92, 16.8, -5)) - 12;
  hpf = RHPF.ar(noise, (78.34 + hpf_env).midicps, 0.57) * env;
  panner = Pan2.ar(hpf + imp, pan);
  Out.ar(out, panner);
 }).store;

Make of it what you will. That single impulse at the beginning gives it a good start, but it doesn’t have that paff or bappff – that roundness of attack – of a real snare or even a good analog drum machine. I used to have such a machine, which I didn’t actually make ver much use of. Now it lies abandoned in California, alas and woe.

Bassdrum Update

Alas, my last bassdrum SynthDef had errors in it. You can’t do a .rand in a SynthDef, you need to use a UGen: Rand(lo, hi). And my sample and hold-ish bit was beyond screwed up.

Alas. To make up for this gruesome oversight, I’ve posted 16 samples of my analog drum patch to my sample library. They’re all public domain, because crediting individual samples is too annoying for users. I hate having to keep track of stuff like that. I use a personal wiki to track this stuff when I use samples that require attribution, and it’s still annoying.
Also, here’s my fixed version:


(
 SynthDef(bassD, {|out = 0, hit_dur, amp, pan|
 
  var ringmod, noise, lpf, hpf, lpf_env, hpf_env, noise_env, env, panner, 
   pitch_env, slew, trig, sh;
  
  
  lpf_env = EnvGen.kr(Env.perc(0.05, 56.56, 12, -4));
  hpf_env = EnvGen.kr(Env.perc(0.05, 48.54, 12, -6));
  noise_env = EnvGen.kr(Env.perc(0.0001, 0.032, 1, -8));
  pitch_env = EnvGen.kr(Env.perc(0.07, hit_dur, 12, -2));
  
  env = EnvGen.kr(Env.perc(0.00005, hit_dur, amp, -2), doneAction: 2);
  
  trig = Impulse.ar(0.45/hit_dur, Rand(0.0, 1.0));
  sh = Dwhite(-6.0, 6.0,inf);
  slew =  Lag.ar(Demand.ar(trig, 0, sh), hit_dur/1.7) + Rand(-6.0, 6.0);
  
  ringmod = LFTri.ar(
     (31 + slew + LFTri.ar((27 + pitch_env).midicps, Rand(0.0, 4.0), 60)).midicps, 
     Rand(0.0, 4.0)); // 5 octave log range
  noise = PinkNoise.ar(noise_env);

  lpf = RLPF.ar(ringmod, (56.56 + lpf_env).midicps, 0.5);
  hpf = RHPF.ar(lpf +  noise, (48.54 + hpf_env).midicps, 0.5);
  
  panner = Pan2.ar(hpf, pan, env);
  
  Out.ar(out, panner);
 }).store;
)

It really doesn’t sound as good as the analog. Frankly, nothing ever sounds as good as analog. My dream system is to have a real analog synthesiser on a chip or a board with a physical interface with actual knobs and stuff. However, in my dream system, you’d be able to save knob settings and patches. And then you’d be able to use it with supercollider (or a similar system). Of course, I’d need a bunch of these things to get polyphony, so the rig would be outrageously expensive, but a boy can dream.
If you want to tell me that this already exists (in real analog, none of this fake stuff) please also tell me I’ve won the lottery! Er no, do tell me about it. It would certainly give me incentive to start buying lottery tickets.
Speaking of analog, I’m still looking for synth repair in the greater London area. My power supply for my Evenfall Minimodular is dead and there’s just not an off-the-shelf one that I can find. I theoretically know how to build my own, but I’d like my first power supply to power something slightly more replaceable. Meh. At least any new one I get will work with multiple voltages. Hauling around step down converters is a pain.

Bassdrum

There’s no better way to procrastinate than trying to do the perfect anything. You spend days on tiny things.
Um, anyway, completely unrelated to that, I’ve spent the last two days making a bassdrum synthdef.
Bass drum patch
First, I made an awesome bass drum patch on my analog synthesizer. (Well, “awesome” is a strong word, but anyway, I made a patch.) Then, I recorded the patch to my computer using the beta version of Audacity and an older version of OS X. Then I lovingly cut them up perfectly and saved them as AIFF files. Then I threw away my original recording to save space on my overly crowded hard drive. then I discovered all my AIFF files were empty because the beta version of Audacity is great if you have the lastest version of OS X, but much less fantastic if you don’t.
Hey, but that analog warmth takes up a lot of hard drive space. You need to rotate through several samples or it sounds the same every time. And I don’t have a MIDI->CV converter to use if I carry around my synths thusly patched to all my gigs. Also, it’s kind of hard to transport while patched. And I’d need to buy a second synthesizer for other stuff. So clearly the next best thing to do is replicate the patch as a SuperCollider synthdef.
I have to admit upfront that this is not as nice as the analog version because the RLPF UGen is nice, but it’s not the same kind of sound as the Voyetra8 RLPF, which is Moogy. So if you want to improve the patch, you could use a Moog emulator ugen and make sure the bass is enhanced. I’m not going to bother because of the CPU hit, but I like ot keep stupid flash apps running in the background and have a poor sense of priorities.
Um, anyway, here’s the final version:

(
  SynthDef(bassD, {|out = 0, hit_dur, amp, pan|
 
    var ringmod, noise, lpf, hpf, lpf_env, hpf_env, noise_env, env, panner, 
      pitch_env, slew, trig, sh;
  
  
    lpf_env = EnvGen.kr(Env.perc(0.05, 56.56, 12, -4));
    hpf_env = EnvGen.kr(Env.perc(0.05, 48.54, 12, -6));
    noise_env = EnvGen.kr(Env.perc(0.0001, 0.032, 1, -8));
    pitch_env = EnvGen.kr(Env.perc(0.07, hit_dur, 12, -2));
  
    env = EnvGen.kr(Env.perc(0.00005, hit_dur, amp, -2), doneAction: 2);
  
   trig = Impulse.ar(0.45/hit_dur, 1.0.rand);
  sh = Dwhite(-6, 6,inf);
  slew =  Lag.ar(Demand.ar(trig, 0, sh), hit_dur/1.7);
  
    ringmod = LFTri.ar(
        (31 + slew + LFTri.ar((27 + pitch_env).midicps, 4.0.rand, 60)).midicps, 
        4.0.rand); // 5 octave log range
    noise = PinkNoise.ar(noise_env);

    lpf = RLPF.ar(ringmod, (56.56 + lpf_env).midicps, 0.5);
    hpf = RHPF.ar(lpf +  noise, (48.54 + hpf_env).midicps, 0.5);
  
    panner = Pan2.ar(hpf, pan, env);
  
    Out.ar(out, panner);
  }).store;
)

I use “hit_dur” instead of dur because I want my drum sound to end before the Pbind gets around to playing again, but you can change that to dur.
I figured out those values by using the Conductor class, which is in a quark. I’m fond of this as a sound design method because you can mess around with a GUI to change values and you can save them to disk. Here’s what the test code looks like:

(

 SynthDef(bassD, {|out = 0, freq1, freq2, lpf_f, hpf_f, lpf_d, hpf_d, noise_d, dur, amp|
 
  var ringmod, noise, lpf, hpf, lpf_env, hpf_env, noise_env, env, panner, 
   pitch_env, slew, imp;
  
  
  lpf_env = EnvGen.kr(Env.perc(0.05, lpf_d, 12, -4));
  hpf_env = EnvGen.kr(Env.perc(0.05, hpf_d, 12, -6));
  noise_env = EnvGen.kr(Env.perc(0.0001, noise_d, 1, -8));
  pitch_env = EnvGen.kr(Env.perc(0.07, dur, 12, -2));
  
  env = EnvGen.kr(Env.perc(0.00005, dur, amp, -2), doneAction: 2);
  
  imp = Dust.ar(0.45/dur, 12) - 6;
  slew =  Lag.ar(imp, dur/1.7);
  
  ringmod = LFTri.ar((freq2.cpsmidi + slew + 
     LFTri.ar((freq1.cpsmidi + pitch_env).midicps, 4.0.rand, 60)
    ).midicps, 4.0.rand); // 5 octave log range
  noise = PinkNoise.ar(noise_env);

  lpf = RLPF.ar(ringmod, (lpf_f.cpsmidi + lpf_env).midicps, 0.5);
  hpf = RHPF.ar(lpf +  noise, (hpf_f.cpsmidi + hpf_env).midicps, 0.5);
  
  panner = Pan2.ar(hpf, 0, env);
  
  Out.ar(out, panner);
 }).store;

 Conductor.make({arg cond, freq1, freq2, lpf_f, hpf_f, lpf_d, hpf_d, noise_d, dur, db;
  freq1.spec_(freq, 200+660.rand);
  freq2.spec_(freq, 200+660.rand);
  lpf_f.spec_(freq, 100+200.rand);
  hpf_f.spec_(freq, 200+660.rand);
  lpf_d.sp(1, 0.0001, 1.5, 0, 'linear');
  hpf_d.sp(1, 0.0001, 1.5, 0, 'linear');
  dur.sp(1, 0.0001, 2, 0, 'linear');
  noise_d.sp(0.1, 0.00001, 1, 0, 'linear');
  db.spec_(db, 02.ampdb);
  

  
  cond.pattern_(
   Pbind(
    instrument, bassD,
    db,   db,
    freq1,   freq1,
    freq2,  freq2,
    lpf_f,   lpf_f,
    hpf_f,   hpf_f,
    lpf_d,   lpf_d,
    hpf_d,   hpf_d,
    noise_d,  noise_d, 
    dur,  dur    
   )
  )
 }).show;
 
)

Those of you who like high bass drums will have fun with freq1 and freq2, if you’re bored and feel like messing around with such things.
That synthdef actually has more envelopes than my IRL synth does. I think it’s because I wrote a post about envelopes today like they’re the greatest thing since sliced bread. I also have a post about Conductors that I find somewhat more readable than the official documentation, but that’s probably just because I wrote it.

Edit

I corrected an error in the main synthdef. However, the one next to the conductor is the old version.

Idea – any interest?

When I was studying analog electronic music in The Hague at Sonology, one of the techniques that Kees Tazelar really promoted was the re-working of recordings. The composer would record a sound and then playback that recording though another patch, like a filter or ring modulator or something and record the results of that and then repeat the process with the new recording.
This approach is nice because the resultant material has a link with the material that preceeded it. When the composer mixes it all togther, the material has a connection which may be audible. I used to record completely new patches with new sources for every sound in an analog work, but now I also do a lot of reprocessing.
My idea is to do a collaboration with other interested electronic artists. We could each publish one source sound and then publish some reprocessing of that sound and other artists’ sumitted sounds. We could then mix some of those sounds (with possibly some extra processing) and make new pieces with these collaboratively devloped sounds. These could then be released as a group via a netlabel or something.
I think this might be fun and if people document what they did, it could also be a nice learning tool. Anyone interested?

IDAHO

Why is the International Day Against HOmophobia and transphobia abbreviated to IDAHO and not IDAHOT? The whole “hahaha the T is silent” thing is supposed to be a joke. If they’re serious about the leading ‘I’, then it’s surely not important that it shares a name with a state that few people have heard of outside of the US.

The big action in my town was a kiss-in. I planned to go, but then I didn’t. I mean, if I go and kiss a woman, then I’m a straight guy kissing a girl, which is just such a massive show of privilege. If I go and kiss a boy, it reminds of me of being in high school and wishing I were a straight girl and the uncomfortable kisses that resulted from that. meh. I don’t want to pretent to be a cis gay guy.

This might be unfair. Maybe it wasn’t like that. I can’t say for sure, as I didn’t go. But still, I don’t think a kiss-in makes a lot of sense in the context of fighting transphobia.

I like cis LGB people (some of my best friends are . . .) but I’m increasingly against hitching my wagon to their quest for rights. Like, absolutely, they should have full civil rights, and trans people should stand in solidarity with that. Heck, a lot of trans people are LGBQ. But when all trans people stand as a subgroup of LGB people, we’re totally invisible.

On the other hand, if we just had an IDAT, how many cis LGB people would even notice or mention it? It’s not like many of them go to TDOR, although most trans people I know go to the vigils that result when a cis gay man is killed – vigils which also say they’re against transphobic violence, but then only have cis speakers.

I don’t want to be a hater about this. Homophobia is bad and I’m against it. Transphobia is also bad, but if you don’t really want to talk about it, then just don’t mention it at all. Most twitterers have completely neglected the silent, invisible T. So, if transphobia is totally beside the point, then don’t bother bringing it up in the first place. I’m tired of being disappointed and invisible.

In my life

The band I’m in had a gig recently, on the night of the election. Helen wrote a song([MP3]) about the Tory party leader, who, alas, has become the new Prime Minister. I made a video for the song.
The gig went well.
A few days before that, I put together a last-minute set for a noise show. That gig was a bit unnerving, as I had a lot of technical problems. However, I got a surprisingly good review of the mp3 that I posted. The part that’s gone to my head says, ” . . . that digital squeal that’s the laptop equivalent of Hendrix’s burning guitar . . ..” (It was an analog chaos patch and not actually feedback, but that’s well beside the point.)
In other creative musical news, I actually finished a piece (pending seeing my supervisor). There’s a few different ways to finish a piece and one of them is to become so filled with hatred that “finishing” it is an act of putting a stake through it’s heart. This is one of those cases.

Other Stuff

I have a girlfriend, who I never blog about and whom I’m not going to start blogging about, except to mention here that she exists.
Um, I don’t know, when people ask me about my life, I just talk about what I’ve been working on. Apparently, this is common for PhD students. Speaking of which, I’m now officially going to be at uni for the optional fourth year.
I’ve gotten word of my name change to both my phone companies. My bank invented a law that says they can only deal with a name that matches government ID. Or maybe it’s a real law, I don’t know. I’m going to try opening a new account someplace else. I hate my bank. The last shrink I saw at Charing X said he would write a letter such that I could get a provisional drivers license learning permit what ever it is with the right gender marker, but I haven’t heard anything about that. My next appointment is next week, so I’ll bring it up then. It would solve my bank problem. Otherwise I have no idea why they want me to see another shrink. I’m still the same amount of sane as last time.
I still live in the same place with the same dog and go to the same university, so not much is changing, which is nice.

Pre-operative Consult

Three weeks ago, I had an appointment to meet my surgeon. It was at St. George’s Hospital in Tooting. The hospital seems to be a new construction or has recently been renovated. The landscaping had not yet been planted, and I passed some heavy equipment outside. Inside was nice, but had confusing hallways, like all hospitals must. I found my clinic quickly. There was a guy I knew in the waiting room, waiting to see the same surgeon. He had gone online and found some pictures of the surgeon’s work and talked to a happy recipient of the same surgery, so he was very positive about her. After a longish wait and a nice chat with my friend, I was ushered into her office. She examined me, told me what sort of operation I’m to have and talked about recovery times.
She asked me to take off my shirt and produced a small tape measure, which she used to measure the distance between my neck and my nipples. One of my moobs has always been more droopy than he other, something exacerbated as testosterone has slightly (not entirely, alas) deflated them. “You’re quite asymmetric” she said, which suddenly called to mind the time I got my left nipple pierced. The piercer had gotten it crooked and had blamed it on my having “weird nipples.” It’s a good thing I already wanted to get rid of the moobs!
Anyway, what will happen is that the surgeon will cut off my nips, remove extra moob from around where the nips were, then re-attach the nips and sew it all back up. This method leaves minimal scars. I forgot to ask if I would have any feeling in any temporarily amputated parts, but it seems unlikely. Alas for that, but it seems like a worthwhile trade off and it’s possible that feeling may slowly return over time. When I had a tumor cut out of my finger, years ago, the top of my finger was numb for a couple of years, but is now normal. 

The surgeon explained that given my existing asymmetry, I should expect to have some later and cautioned me that if I got out a tape measure, I might be disturbed. (Buck Angel, who has a perfect chest had greater asymmetry than I, but he went to a Hollywood doctor and paid a small fortune. As I’m getting this for free and don’t plan a career in porn, I’m pretty ok with this.) So I will be keeping my odd nipples and my lopsided chest. Whatever. At least I’ll be able to cavort around topless and even do wild and crazy things like wear T-shirts. 

Any surgery carries an infection risk, which she didn’t seem overly concerned about. And there’s some chance my nipples would fall off, which, thankfully, is very rare. She blocked out 2 hours of operating room time, but it should be quicker than that. I’ll have to stay overnight in hospital. So the risks are acceptably low and I’m happy this is coming, but it is more serious and invasive than I had realised. 

I can expect to feel really shit for a week. Because Xena pulls on her lead, I probably can’t walk her during this time. Then, I can’t lift anything or do any exercise for 6 weeks. So no gigs for me, unless I get a roadie. I’ll also need to wear a post-surgical binder. She explained that the NHS did not currently fund the one she thought was best, although she’s been pushing for it, so I should try to buy my own. She cautioned me that it will be kind of pricey. How much? I asked. Around £50. She explained that if I couldn’t afford it, they could provide something else and I shouldn’t worry about it. So I’ll be that much out of pocket, plus the £7 copay on whatever pain killers. My first new T-shirt is going to say “God Bless the NHS.”

The surgeon asked me if I had anymore questions and I asked why she goes by Ms. rather than Dr. She told me that she, like all surgeons, was qualified as a doctor. But then she had done several extra years of training to qualify as a surgeon. It’s customary for surgeons to go by Mr or Ms to signify their greater level of training. She also said it had historical roots from the old days when surgeons/barbers had entirely different training than doctors, who just did bloodletting and prescribed drugs. It’s kind of weird that her profession is descended from shaving beards. I did not bring up Sweeney Todd, but I thought of him. 

After answering all of my questions and whatnot, I was sent off to have “before” pictures taken. The NHS documents everything, she explained. I got somewhat lost on the way, but a helpful woman noticed me looking lost and offered directions. On the way to the multimedia department, I passed several classrooms and a student examination in progress. St. George’s is also a medical school.
The multimedia department had a proper photo studio with lighting and backdrops. I had to sign a consent form which asked if my pictures could also be used for teaching. I said they could. The photographer explained my face would not be in the pictures. I told him that I had recognised somebody’s before pictures from his tattoos. The photographer looked surprised by that idea and I suspect may bring it up at a future meeting. For the pictures, I had to face different directions. It felt like I would imagine how getting a mugshot feels. 

And that was it. I went home. About 2 weeks later, I got voicemail scheduling my pre-op appointment, which will be 15 June. The operation will probably be two weeks after that, I think. I don’t know. It’s hard to plan things when I don’t know dates, but I’m pretty happy.